| Horrors: Great Stories of Fear and Their Creators | |||||
| Rocky Wood, illustrated by Glenn Chadbourne | |||||
| McFarland, 192 pages | |||||
| A review by Richard A. Lupoff
Out of this event came Mary's famous novel Frankenstein and Polidori's The Vampyre. The latter book, of
course, was overshadowed in later years by Bram Stoker's immortal Dracula but The Vampyre remains
a significant chapter in the history of Gothic literature.
Wood and Chadbourne trace Gothic themes -- dark fantasy, horror, the supernatural -- to Beowulf, and
haul in William Shakespeare by the quill and parchment. There's something of a stretch here but the case is,
at the very least, arguable.
Wood's text provides a fair introductory text on Gothic literature, but one wonders who the audience for this
treatment would be. Surely any adult would find it shallow and puerile. I doubt that a child would find it of
interest at all. Perhaps a pre-teenager with a taste for the dark would find it informative to a point, and
would be motivated by it to pursue more advanced studies on the subject as well as seeking out the works
themselves. The gloss provided in Horrors has its moments, but it is really no substitute for reading the
books themselves, any more than a perusal of Cliff's Notes would be a substitute for studying the great
plays and novels of history.
Horrors is prolifically illustrated by Glenn Chadbourne. In fact, the publisher refers to it as a
graphic novel, which it really is not. Chadbourne furnishes hundreds of lushly detailed illustrations of the
Deodati event and of other historic references in Wood's text. More significantly, he contributes graphic
versions of Frankenstein, Dracula, Othello, The Castle of Otranto, The Monk,
and a number of Poe's poems and stories. Shades of Classics Illustrated!
Comparison with classic horror comics illustrations, particularly those of the EC era, is regrettably
inevitable. Anyone who grew up on the amazing work of Graham Ingels, Wally Wood, Al Feldstein, Roy
Krenkel, Al Williamson, Frank Frazetta, Reed Crandall, Jack Kamen, and Bernie Krigstein will see
Chadbourne's drawings as the efforts of a moderately talented fan at best.
Of course Chadbourne has a number of professional illustrating credits on his resume, including at
least one story by the king of modern Gothic writers, Stephen King. I suppose this tells us of the
level to which cartooning and comic art have sunk. In fact, there are any number of superbly talented
illustrators at work today in the comics industry; I will not even start enumerating them. There is
no doubt in my mind that Chadbourne is motivated by sincere dedication to his craft. Sad to say,
sincere dedication is no substitute for talent.
Richard A. Lupoff is a novelist, short-story writer, critic, and sometime academic. His most recent books are Visions (currently in production by Mythos Books) and Quintet: The Cases of Chase and Delacroix (Crippen & Landru). He is also the Editorial Director of Surinam Turtle Press, an imprint of Ramble House. |
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