| Nocturne | |||||
| Jus Neuce | |||||
| Aio Publishing, 373 pages | |||||
| A review by Victoria Strauss
As often happens, social differences coincide with geography. Jefferson and its residential district, Grosvenor, are the
seat of government, housing the more prestigious departments and divisions. Agriculture is based in Kaettegut, a large
landmass across the bay, while mining and manufacturing take place in the Back, located on the dark side of the
terminator. White-collar Jeffersonians/Grosvenorians look down on blue-collar Kaettegutans and the workers of the Back,
who over time have evolved distinctive cultural variations. Yet, as in most class systems, a potent fear lies at the
foundation of social prejudice, for Jefferson/Grosvenor could not exist without Kaettegut's food or the Back's
factories. Awareness of this interdependence, and resentment of it, stitches a thread of suspicion through interactions
at all levels of society -- though in general, the mistrust is implicit rather than expressed.
But that's about to change, with the suddenness of natural disaster. An explosion damages one of Kaettegut's food storage
units, injuring several members of an audit team from Jefferson, including its leader, Jenning Crote. Accident?
Sabotage? As the media speculates, Chauncey Benner, Agriculture's department head -- and thus the de facto governor of
Kaettegut -- tries to uncover the truth, an effort complicated by Jefferson's suspicion of all things Kaettegutan, and
the disloyalty of some of her key staff. Meanwhile, in Jefferson, the questions surrounding the explosion bring the
differences between the three political parties into sharp relief, and pose frightening questions: have the needs of
Nocturnian society evolved beyond the capacity of the existing social system to meet them? Have the system's intrinsic
inequities wrought divisions much deeper than anyone realized? As alliances shift at the top of the power structure, and
tension builds among ordinary Nocturnians, Jenning Crote struggles to maintain her influence and position, in part by
forging an uneasy alliance with Chauncey Benner. And Graham and Kellan, two young Kaettegutan office workers, find
themselves swept up into the middle of the political upheaval, pawns in a battle they don't really understand.
Like Ursula K. Le Guin in The Dispossessed, Jus Neuce isn't concerned only with telling a tale of people and events,
but with painting a portrait of a society that's fundamentally unlike our own. This she does with impressive depth and
consistency. Nocturne, a sort of corporation-without-walls whose rules and protocols are just odd enough to be alien and
just recognizable enough to make sense, feels both genuinely unfamiliar and completely authentic. Also like Le Guin, Neuce
is interested in exploring the philosophical and moral dilemmas that arise from putting social theory into practice. Though
embodying very different ideals from Le Guin's Anarres, Nocturne too is an artificial, planned society, in which the
needs of the individual are subordinate to the requirements of the whole, and the individual ignores or opposes those
requirements at his or her peril. Again like Anarres, the pressures of the environment and the reality of human nature have
caused this social construct to evolve away from the original ideal, often in ways that those living in the society don't
consciously recognize. No matter how meticulous the original plan, no matter how faithfully it's put into action, plan and
practice inevitably diverge, for such is the unpredictability of human need and human nature. This pivotal understanding
is articulated, late in the book, by a character whose political maneuverings have resulted in an unexpected outcome:
The author makes no concessions to readers' unfamiliarity with her world and its back story, plunging right into the narrative
and leaving it to the reader to figure out the extremely complicated context. This makes for rough going in the first
few chapters, where it's very easy to lose track of names, and some scenes need to be read twice in order to be properly
understood. (The Glossary at the back of the book provides some enlightenment -- it's a good idea to read it first -- but
could have benefited from expansion, such as the inclusion of a character list and a chart of divisions and
departments.) Certain important things are not made clear. According to the Glossary, the educational system has
replaced the nuclear family, but we never actually discover how this works, making it difficult to understand why
the different schools have such an impact on social status. Also, though Neuce evokes a strong sense of place, mainly
through characters' perceptions and reactions, there's little physical description of Nocturne itself. It's hard to
envision the environment, and thus to comprehend the physical challenges that surely did much to shape Nocturnian
society -- and which lend such urgency to the current crisis.
This eschewing of any sort of explanation, as well as the characters' sometimes excessively circuitous
thought processes, sometimes works against the author's intentions. For instance, it isn't until about a third of the
way in that it becomes clear that Graham and Kellan aren't lovers, that in fact Graham harbors an unrequited passion for
Kellan and Kellan is totally unaware of it. Earlier scenes between the two of them, which make perfect sense if you know
their real relationship, read quite oddly if you don't. Ditto for Graham's reveries in the initial chapters, which seem
overwrought unless you understand the real nature of his inner conflict.
Nocturne is a difficult book, both by design and by omission. It certainly won't suit every taste. If you're
looking for the high-tech excitement of a space opera, or the epic adventure of a planetary saga, you won't find it
here. What you will find is a thoughtful examination of a society in transition, and of the stresses that engender
social change. Flaws and all, it's one of the more original debuts I've read this year, and also one of the most intelligent.
Victoria Strauss is a novelist, and a lifelong reader of fantasy and science fiction. Her most recent fantasy novel, The Burning Land, is available from HarperCollins Eos. For more information, visit her website. |
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