Straken | |||||||||
Terry Brooks | |||||||||
Del Rey, 368 pages | |||||||||
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A review by Nathan Brazil
"Then do so. You are wasting my time."
The gnome fiddled with the keys, slipped one clear of the others, inserted it into the lock, and
turned it. The lock clicked, and the door opened with a squeal on its metal fastenings.
As it did so, Khyber's prisoner wrenched free of her grip and ran screaming down the hall.'
It will come as no surprise to Shannara fans to learn that Brooks again uses his characters like chess pieces, manoeuvring
them carefully into their positions. Everyone has a place and there's a place for everyone. What the plot lacks in
originality, it more than makes up for with a combination of skillful interpretation and expert pacing. No doubt to the
delight of his publisher, Brooks again delivers a satisfying dollop of straightforward, uncomplicated, fantasy. All of
those who began the journey are present and accounted for by the end, mostly in ways that make perfect sense. Several
times, what is to happen is telegraphed, but that doesn't seem to matter so much. The central plank of Brooks's
technique is to make the characters more important than any plot device. Six threads are woven together; Pen's
careering rescue mission, Shadea a'Ru's murky politicking, Grianne Ohmsford's flight from the Forbidding, tomboy
elf girl Khyber Elessedil's infiltration of Paranor, the inevitable escape from Druid captivity of Pen's parents,
and the weary conflict between the Free-Born and the Federation. Last time around, what happened in the
Forbidding; a kind of twilight zone for evil faerie folk, was markedly dark and at times bordered on sadism. But
for Straken, this element seems to have been toned right down. Mention is made of Grianne Ohmsford's demonic
tormentor, but he's never seen. Similarly, the laser weapon introduced in Tanequil is reduced to a brooding
threat, perhaps indicating a mid-series rethink by the author.
On the one hand, I found this book to be a fast paced fun read, with a personable cast and masterfully imagineered
locations. On the other, I felt that the author was working on economy cycle. Armed with an array of very readable
characters, some of whom had real depth, and two enticing new territories within his world, I'd expected more. The
remote area known as the Inkrim, where the Tanequil lives, remained largely unexploited, and the deep evil that is
surely present in the Forbidding stayed hidden. Ultimately, none of the characters ever deviated from what I'd
envisaged, and a lot of potential was, not so much wasted, as restrained. Clearly it was by design of the author. Having
said that, it's only a personal perspective, and no one who already enjoys Brooks's work would regret buying
Straken. Indeed, it may be that the familiarity and certainties he offers his readers is a major part of what
keep them coming back for more.
In summary, I'll draw a parallel with an advert for a wood sealant product in the UK, which features the
catchphrase 'It does exactly what it says on the tin.' The same thing is true of Straken, and every other
Terry Brooks fantasy novel. The consummate WYSIWYG author, he delivers time and again, just so much and no more.
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