| Climb the Wind | |||||||||||||
| Pamela Sargent | |||||||||||||
| HarperPrism Books, 436 pages | |||||||||||||
|
A review by Greg L. Johnson
Instead, she turned to history. First came Ruler of the Sky, which
told Genghis Khan's story from the viewpoint of the women around him. Now
we get Climb the Wind, an alternate history novel in which an American
Indian named Touch-the-Clouds, inspired by hearing of Genghis Khan's
achievements, seeks to unite the plains tribes and stop the expansion of
the post-Civil War United States.
It is a Russian, Grigory Rubalev, exiled from Alaska and wandering
the American West, who relates to Touch-the-Clouds the story of how Genghis
and his horsemen came out of the Mongolian plains to conquer the empire of
the East. Climb the Wind tells us how events conspire to provide
Touch-the-Clouds with the same opportunity that Genghis Khan had.
This is not, however, a novel full of battles and military
intrigue. This is underscored by the fact that the story is seen mainly
from the viewpoint of two characters, Katia Rubalev and Lemuel Rowland, and
not from that of Touch-the-Clouds. Katia and Lemuel Rowland have both lived
on the plains and in the white man's world.
Lemuel was orphaned and raised
by a white family. He became an aide to General Grant and friend of Ely
Parker, the Seneca Indian who wrote down the terms of surrender at
Appomattox. After the war, Lemuel travels back to the plains, but is unable
to feel at home among either the Indians or in the cities of the East. He
fears that the might of the U.S. Army will soon be turned on the plains
tribes.
Katia was one of only two survivors when the blue coat soldiers
attacked her village. The visions she experiences afterwards bring her to
the attention of Touch-the-Clouds, who entrusts her to the care of Grigory
Rubalev. It is through Katia and Lemuel that we learn of the events that
distinguish their history from ours.
Those events, including assassinations, mis-placed loyalties and
mis-guided decisions, form the backdrop for the lives of the characters in
Climb the Wind. Sargent tugs on the strings that so loosely held the United
States together after the Civil War and we watch as it all threatens to
fall apart. The narrative is convincing because it relies not on one big
event, but instead relates a series of changes from our history that are
small in themselves, yet in the end add up to a different world. Part of
the fun is the changes in the lives of characters we know from history,
including Theodore Roosevelt, Calamity Jane, and George Custer, to name
three. My personal favourite is the re-location of the Edison Laboratories
to Bismarck, North Dakota.
The historical background and the characters come together in the
visions of alternate worlds that are experienced by several of the
characters, including Katia, Sitting Bull, and Crazy Horse. These visions,
much like the one granted to Mr. Tagomi in The Man in the High Castle, add
an extra layer of richness and depth to the novel that bring it closer to
Philip K. Dick than Harry Turtledove. It's the subtle historical changes,
combined with honest characterization, that set Climb the Wind apart.
Instead of any overt political statement, Sargent makes us see through the
lives of the characters how things might have been different. Indeed, while
the references to Genghis Khan raise one set of expectations regarding
Touch-the-Clouds, by the end readers may find George Washington to be just
as appropriate a comparison.
Alternate history has grown immensely in popularity over the last
10 years. Climb the Wind is an outstanding example of alternate history,
one that should appeal to both history buffs and fans of a good story well
told. Climb the Wind is in the right time and place to be Pamela Sargent's
most successful novel yet.
Reviewer Greg L. Johnson lived the best years of his childhood on the edge of Paha Sapa, the Black Hills that play an important part in the story of Climb the Wind. His reviews also appear in the The New York Review of Science Fiction. | ||||||||||||
|
|
If you find any errors, typos or other stuff worth mentioning,
please send it to editor@sfsite.com.
Copyright © 1996-2013 SF Site All Rights Reserved Worldwide