Dark of the Night | |||||||||||||||||||||||||||||||||||||
edited by Stephen Jones | |||||||||||||||||||||||||||||||||||||
Pumpkin Books, 307 pages | |||||||||||||||||||||||||||||||||||||
A review by Rodger Turner
Now it's your turn.
When was the last time you read a single-author collection or an anthology? That long, eh? How
about a horror anthology? Really? And you thought I was bad. Maybe this is why we see so few
of them from mainstream publishers anymore. But specialty publishers are still doing them. Why?
Probably because most of the cutting-edge stuff first appears in anthologies and magazines. Someone
once told me (or I figured it out by myself, I don't remember which) that if you want to see what's
going to be in novels in three years, read the magazines and original anthologies. And, in over
forty years of reading science fiction and fantasy, I'd have to say that has been proven
to me time and again.
Dark of the Night is a anthology of original stories collected together by that talented
anthologizer Stephen Jones and published by Pumpkin Books, a new
publisher based in Nottingham, UK. Not all the stories were written for this book but they all carry
a 1997 copyright date. It is a collection themed to
"that time of the night between dusk and dawn
when we are suddenly startled into wakefulness. When
we lie there, staring up at the shadowshapes
on the ceiling, while sleep continues to elude us."
Does Dark of the Night live up to this? You betcha.
Ramsey Campbell's "Kill Me Hideously" struck
just the right note with his intriguing tale of a what lengths a fan will go to in order to be absorbed into a
writer's work. Stephen King's Misery and Dean Koontz's Mr. Murder sprang to mind.
Michael Marshall Smith's "Victoria's Secret" gave me serious shivers with his story of a woman
who wakes up to find herself sharing her bed with a puzzlingly familiar body. And the stories rolled on.
I was particularly struck by the deft touch of Paul J. McAuley in "The Quarry." For a writer
best known for his science fiction, he sure knows how to scare a reader using the archetypal story of
kids' brutality towards their playmates. Then Nicholas Royle matched it with his "who's
the bad guy?" story in "Futility Room." However, my favourite turned out to be Kim Newman's
"The End of the Pier Show" with his two heroes, Richard Jeperson, the Carnaby Street dandy, and
his purple leather miniskirted, knee-high white booted colleague, Vanessa. Maybe it was because
I'd just seen Austin Powers, International Man of Mystery or my generational crush
on Emma Peel. Who knows. I was taken by the impish nature of the characters dealing with
a touchy subject returning to haunt the residents of a British seaside town and the terror
such a return could cause them. Finally, I read Jo Fletcher's evocative poem, "Dark of the Night."
Geez, I thought the other stories made me tingle but reading that poem gave me a case of the willies
reminiscent of the time I had to stay up all night with the lights on after reading Stephen King's
'Salem's Lot.
Rodger has read a lot of science fiction and fantasy in forty years. He can only shake his head and say, "So many books, so little time." More of his opinions are available on our Book Reviews pages. |
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