| Moon Flights | ||||||||
| Elizabeth Moon | ||||||||
| Night Shade Books, 276 pages | ||||||||
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A review by Greg L. Johnson
And, in some ways, that's the way it should be. It's the story, and how it's written, that makes a writer's reputation,
and which in the end brings you back for more. If you remember the story, eventually the connection will be made and the
name of the author herself will be what triggers your interest in a new book or story. The only difference for me was that
Moon Flights thus changed from an introduction to a rediscovery of a writer who has firmly established herself as
a first-rate teller of tales ranging from humorous looks at life in medieval times to future military adventures, and even
a side-trip or two into just what makes an artist create, and how that creative process fits into a society that doesn't
always appreciate what's presented to it.
Because of novels like Rules of Engagement and Marque and Reprisal, Elizabeth Moon is probably best known as a
writer of military science fiction, and Moon Flights contains several examples of this aspect of her
writing. In "Politics," a veteran of many battles is confronted one more time with the fact that survival in combat often
requires making the right choice at the right time, and then keeping your mouth shut about it. "Tradition" takes us inside
the head of Rear Admiral Sir Christopher George Francis Maurice Cradock who is forced to decide what requires the greater
amount of courage, following your own expertise even if it means eventual disapproval from superior authority, or bowing
to that authority and risking losing the battle.
Judging from two of the stories, "New World Symphony" and "Hand To Hand," Elizabeth Moon either knows or is related to
musicians. In each case, a musician is confronted with a situation in which his or her own creative instincts conflict with
established authority, and in each case the musician seeks to challenge that authority, with differing results and degrees of success.
The stories in Moon Flights are not all serious, however. There are several examples of good humor here, from the trailer
park SF of "If Nudity Offends You" to the travails of the organizer of a asteroid colony's community celebration in "Welcome To
Wheel Days." The most memorable of these humorous stories are undoubtedly those that deal with the Ladies' Aid & Armor Society,
medieval fantasies in which the ladies are confronted with such problems as resisting the King's proposed tax on brass
brassieres, rescuing a villager from a dragon, and saving the annual ball from being ruined by a group of infiltrating pirates.
In many SF and fantasy writer's first collections, you find the writer at their most experimental, looking to push the envelope
in order to make their own mark and establish a reputation. Moon Flights, in contrast, reveals a writer very willing to work
within the established order of things, whether that means military adventure, medieval fantasy, or life in space on the
new frontier. What does come through is that, even in the confines of very traditional story-forms, Elizabeth Moon is a
writer who always has a point to make, and who is able to make her points with dramatic action, slyly humorous
observations, and a sense of style.
Reviewer Greg L Johnson is forced to admit to siding with Elizabeth Moon's musician characters in their attempts to thwart authority. His reviews also appear in the The New York Review of Science Fiction. And, for something different, Greg blogs about news and politics relating to outdoors issues and the environment at Thinking Outside. | |||||||
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