| Smoke | ||||||||
| William Sanders | ||||||||
| Xlibris, 215 pages | ||||||||
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A review by Rich Horton
The midlist is famously a dangerous place for writers, these days.
So Sanders has turned to Xlibris to self-publish his last two
novels, The Ballad of Billy Badass and the Rose of Turkestan and Smoke. I've got copies
of both in large-sized paperback, and the presentation and quality are wholly professional.
Smoke features a Cherokee woodcarver from Oklahoma named Hosea Smoke. He is spending a week at a small
college in Oklahoma City, at a Native American art fair, exhibiting his carvings. Among the other exhibitors is a
rather obnoxious man named Esau Brown, suspected by many of faking his claims to Indian ancestry. When Smoke and
his nephew Mason Littlehorse, a probationary member of the college's security staff, discover the dead body of Esau
Brown in his trailer, there are plenty of suspects, including a man who was trying to get him thrown out of the
exhibition for being a phony Indian, his ex-wife, and possibly even Justin Hatner, the very rich oilman who had
earlier felt defrauded by Brown.
When Hosea finds that Esau Brown had left him a suspicious package in his car just before Esau's death, he finds
himself involved in the murder investigation against his better instincts. The situation is further complicated by
his desire to help the career of his nephew, and still further complicated by the sudden interest the Hatner family
shows in his work. So, with the help of Mason's fellow "token" on the college security force, a Jewish woman named
Susan Rifkin, and Hosea's friend and fellow artist Buster Tenbears, he starts to try to track down some of the
curious loose ends surrounding the case.
The mystery is solid enough, with a logical but slightly surprising resolution. However, as with all the best
mysteries, that's not the main reason to enjoy the book. The story is more than just the solving of the mystery:
it's also a story about Hosea's life, and Buster's, and Mason's, and Susan Rifkin's, and the Hatner families: and
those stories are all interesting of themselves. The characters are convincing and wholly real, lived-in, not
heroes particularly but (mostly) decent people that any of us might know. The writing is engaging: I've said
before that Sanders is a raconteur, a natural storyteller, and that proves true here as elsewhere. The book is
just enjoyable to read from start to finish. The view of contemporary Indian life from the inside is
intriguing, as well. Smoke is a very fine contemporary mystery novel, and I urge you to trot over
to Xlibris and give it a try.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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