| What Rough Beast | |||||
| H.R. Knight | |||||
| Leisure Books, 268 pages | |||||
| A review by Lisa DuMond
A scoundrel has come to town and he's just the sort Harry Houdini lived to expose. This Victorian Era John Edwards
claims to be able to put the bereaved in touch with their deceased relatives, provided the bereaved can enrich
Maxmillian Cairo's existence on this plane. Debunking such frauds was of special interest to both Houdini
and Sir Arthur Conan Doyle and they expect no problems with exposing this con man's tricks before he can bilk
anymore vulnerable clients.
Unfortunately, there appears to be more to Cairo than they imagine and what they don't know is about to come back
and bite them in the bum... Or bite their heads completely off, more likely. Soon, one person is dead, another is
jailed, and a peculiar madness has taken possession of everyone at the Cairo's private "show." Worse yet, the
madness seems to be spreading, with no end in sight. It looks like it is up to Conan Doyle and Houdini -- with help
from the magician's feisty wife Bessie -- to rid London of the foul beast that threatens all of their lives.
H.R. Knight does an excellent job of capturing the blustering, indignant, overstuffed ambience of 1906 England. Conan Doyle's
sense of propriety and gallantry balance nicely with his burden of responsibility and manliness. The coiled spring
that is Harry (Ehrich Weiss) Houdini is trouble just waiting to happen, and he relishes the challenge. The
surprisingly modern Justine Luce is a one-person woman's liberation movement. (Perhaps it shouldn't be so surprising
considering the inevitable mental collection to Clare Booth Luce.) In Maximillian Cairo and his creepy henchman
Gaylord, Knight has created a pair both fearsome and repugnant. Together, the unique cast sweeps the reader up in
this tale of foul murder and even more foul motivations.
For all its British sensibilities, What Rough Beast is oozing with graphic gore and violence. Think twice before
reading it aloud to your little ones if you expect them to drift peacefully off to sleep. Even adult readers may want
to keeping their reading to the daylight hours, or when they aren't liable to find themselves suddenly alone with this story.
Occasionally, a word crops up that seems an anachronism in Knight's carefully constructed world, but this isn't a
history text, after all. What it is is a fast-paced, atmospheric romp through early 20th century London that just
possibly could have happened. But, let's hope it's all just fiction, for all our sakes.
In between reviews, articles, and interviews, Lisa DuMond writes science fiction, horror, dark realism, and humour. DARKERS, her first novel, was published in August 2000 by Hard Shell Word Factory. She is a contributing editor at SF Site and for BLACK GATE magazine. Lisa has also written for BOOKPAGE, PUBLISHERS WEEKLY, Science Fiction Weekly, and SCIENCE FICTION CHRONICLE. You can check out Lisa and her work at her website hikeeba!. |
|||||
|
|
If you find any errors, typos or anything else worth mentioning,
please send it to editor@sfsite.com.
Copyright © 1996-2013 SF Site All Rights Reserved Worldwide