Drinking Midnight Wine | ||||||||
Simon R. Green | ||||||||
Victor Gollancz, 265 pages | ||||||||
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A review by Victoria Strauss
Toby Dexter is an ordinary guy, with a dead-end job at a bookstore and an aimless, totally predictable
existence. He has always longed for something different, something better, but having reached his thirties
without any sign of different or better coming along, he has pretty much given up. There's just one
not-quite-ordinary thing in his life: he has fallen in love with a woman who shares his daily
commute. He doesn't know a thing about her -- in fact, he has never actually spoken to her -- but
still he can't get her out of his mind.
One day, in the train station where both Toby and his mystery woman finish their commute, Toby watches
the woman walk through a door he's positive was never there before. On impulse, he follows... and everything changes.
Toby has passed into Mysterie, the world of magic that lies behind the real world of Veritie. Unfortunately,
denizens of Veritie aren't really supposed to enter Mysterie, and, by doing so, Toby has made himself a
focal point, a pivot around which great events revolve, and from whom great resolutions, or great disasters,
may stem. And great disaster may be in the offing, for something evil is afoot in Mysterie, something that
may threaten the existence of both the worlds. Toby very definitely doesn't want to play the hero. But
as he and his mystery woman -- whose name is Gayle, and whose human aspect is only the smallest part of her
true nature -- set out to discover what's going on, he begins to realize (much to his dismay) that he may
have no choice. The fate of two worlds may depend on him alone.
Green brings a wealth of imagination to Mysterie, a realm where gods are real, legends walk, and monsters and
miracles live side by side. Elements of Celtic folklore, legends of various types, and angelology are
blended into a vivid if not always logical alternate cosmology, and extravagantly sinister settings (the
corrupt and blasted woodlands of Blackacre), striking descriptions (fearsome Angel, with her crimson eyes
and rosary of human finger bones), breathless fight scenes (lots of zombies) and humorous details (the
kind of junk mail one might receive in a magical world) add to the fun.
Since this is a Simon R. Green book, everything is much larger than life -- the heroes extremely heroic,
the villains astonishingly villainous, the choices between good and evil very clear-cut. Still, if the
ultimate outcome is never really in doubt, there's plenty of entertainment in the journey, and the
engagingly-drawn characters -- Toby, Gyale, Norse godling Jimmy Thunder, a tribe of mischievous Mice -- are
fun to travel with, even if they do spend a bit too much time sitting around and explaining things
to each other. Drinking Midnight Wine is a treat for Green's fans, especially those who'd like
to see him turn his distinctive style to something a little different. For American readers, there'll
be a Roc edition in February 2002.
Victoria Strauss is a novelist, and a lifelong reader of fantasy and science fiction. Her most recent fantasy novel The Garden of the Stone is currently available from HarperCollins EOS. For details, visit her website. |
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