| Door Number Three | ||||||||
| Patrick O'Leary | ||||||||
| Tor Books, 384 pages | ||||||||
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A review by Rodger Turner
But that is just a start. The book takes off when John Donelly, the therapist, wanders over to
Saul Lowe's place. There he, along with the rest of us, meet the book's most entertaining
character, Imish. Imish is a cardinal who makes me wonder about other author's attempts
at anthromorphism. For it is Imish who provides John with a Camel cigarette when he is faced
with a choice, a very important choice. Saul is about to tell John a story. But before, Saul
tells him to walk away with $10,000 in cash (without hearing the story), to stay and hear
the story (but John'll die a horrible death by Saul's hand if he breathes a word of what he is about
to hear) or John (along with Saul and Imish) can change the world by picking
Door Number Three. Whaddya think John chooses?
Cash, death or adventure? Which would you choose? Give that reader a prize...
If I had to describe Patrick O'Leary's prose style, I'd say he writes in colours. Roger
Zelazny did too although I saw his work more as pastels. O'Leary uses vivid primaries to sketch a scene,
no fooling around with much colour mixing. Each scene has a meticulousness I've rarely seen
in a first SF novel. I suspect that this book went through numerous drafts and I'd
guess that O'Leary writes in long hand such is his attention to detail and his ability
to turn a simple phrase into a breathtaking moment. Find this book, buy it and I'll bet you won't be
disappointed for it turns all your preconceived notions of time travel on their head.
Rodger has read a lot of science fiction and fantasy in forty years. He can only shake his head and say, "So many books, so little time." |
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