| The Fox Woman | ||||||||
| Kij Johnson | ||||||||
| Tor Books, 382 pages | ||||||||
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A review by Trent Walters
"Fox Magic", the novelette from Asimov's that won the 1994 Sturgeon Award, forms the basis
of The Fox Woman. Like Ender's Game, Johnson's original novelette, while evocative and moving,
holds nothing on the novel.
Kij Johnson's careful attention to language, period and character detail should garner the attention of crossover
literary readers as well as fantasy fans -- much as Ray Bradbury and Robert Adams managed to do. Here, from Johnson's novel,
is an example of such detail where Kisune, the young fox, first explores the world outside the den:
"I saw and smelled a cavern supported by pillars and roofed with dead grasses a tree's height over my head. The floor
under my toes was of boxwood planks, smooth and cool and flat. Through a crack in the floor I heard my brother barking
at my grandfather -- impatient little noises. I scratched at the crack. Paws padded below. A nose snuffled upward.
"'Sister?'
""I'm walking on you?' I couldn't understand this.
"'Where are you?'
"I didn't know what to say. This floor I stood on was the roof over the burrow, I knew -- there was my brother,
after all -- how could it be else?"
Kaya no Yoshifuji fears he is a failure. After not receiving an appointment to the court, he retreated, perhaps dishonorably,
to the country, where the "perfect" wife, Shikujo, is unhappy, though socially incapable of expressing her
displeasure. Yoshifuji's country home, like his life, is in disarray and must be organized, but in his time and in his
way. The laws of society that have followed him home in the form of Shikujo and her serving women is almost unbearable;
nor can Shikujo fathom her husband's unconventional behavior toward things of the wild though she must pretend that it is
proper and respond correctly. Meanwhile, a young fox has spied Yoshifuji on his return and finds herself falling in
love. Just as foxes have used foxfire to lure men astray into the woods, so Kitsune uses fox magic to alter reality.
The flaws are minimal, if not insignificant. The diaries and journals are less authentic in feel than in constructs to
maintain an actual narrative. The meditation in this work is no more than that of a traditional narrative.
Fast-paced, this novel is not -- if such could be named a flaw -- but the author on rare occasion may have felt the lack and
tried to inject unnecessary and narratively-unfelt tension. Kitsune, for instance, "demands" and the grandfather fox
pounces on her for it. The advantage of a slower pace is more intensely felt action scenes. Who could forget the violence
in such leisurely paced films as Oscar and Lucinda and The Piano? Still Johnson takes every advantage of
such pacing and soundly scores the music of her style upon the reader's mind.
Good debut novels are usually a mixed bag: painfully flawed yet marvelous in the discovery of a new
voice. Kirsten Bakis' Bram Stoker award-winning first novel, Lives of the Dog Monsters, contained stunning
passages told in the voices of dogs but fell short of human when the human voices narrated.
Johnson, however, does not falter. Her humans are as empathetically human as her foxes. If there are better first
fantasy novels that appeared in the year 2000, I haven't read them and someone had better recommend them -- though
that someone will have the difficult chore of proving it.
Trent Walters co-edits Mythic Circle, is a 1999 graduate of Clarion West, is working on a book of interviews with science fiction writers. |
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