Tropic of Creation | |||||
Kay Kenyon | |||||
Bantam Spectra, 528 pages | |||||
A review by Donna McMahon
On a routine galactic mission, Captain Eli Dammond stumbles across the crew of a human warship that has been
marooned on an uncharted planet for three years. Although the war is over (humans sued for peace with the ahtra
a year ago, and an uneasy armistice is holding) it is Dammond's duty to search for evidence of mutiny or
desertion. His investigation, however, turns up something far more interesting. This desert planet is riddled
with underground tunnels -- excavated by their enigmatic enemy, the ahtra.
Dammond decides to explore by himself, breaks into a subterranean ahtra city and is captured. Intent on
trying to escape, he is unaware that his presence has triggered a political crisis between a pro-war elite
and the underclasses, who are more amenable to peaceful co-existence.
Meanwhile, waiting on the surface for Dammond's return, human crew members celebrate the first rains to fall
in the desert in three years, but the monsoon triggers a massive ecological transformation from desert to
jungle, and they soon discover that they are easy targets for an emerging horde of ravenous predators. Among
the crew is 14-year-old passenger, Sascha, whose elite status as granddaughter of a general is suddenly
worthless amid a desperate battle for survival.
It is difficult in a short summary to do justice to the plot of Tropic of Creation. Two sets of
characters and plot threads (humans and ahtra) run through this novel, making for a complex story which
is nonetheless coherent and straight-forward to follow.
The greatest strengths of this book lie in Kenyon's depiction of the planet's cyclical drought/jungle
ecosystem, and her ahtra society, with its divisions between the static (stoic), fluxor (emotional), and
gomin (outcasts). (Kenyon's original and well thought out aliens were also the best part of her other
novel, Rift.) This depth, plus competently drawn characters and solid pacing, kept me reading,
despite the lack of any one protagonist I could get attached to.
The weakest major character is Sascha, an improbably stable and mature young teen, whose actions and
reactions become less and less credible as the book progresses. And the least interesting sequences
are those where soldiers fight off predators on the surface -- we've seen those tough, terse,
battle-scarred veterans and Jurassic Park-style massacres before.
Although Kenyon ties up all the plot threads in Tropic of Creation, I felt unsatisfied when
I finished the book. The uneasy mix of thoughtful, original material with clichéd plot elements and
characters robs Kenyon's novel of much of its potential. Still, I'll be watching for future titles.
Kenyon clearly has the talent to write a real blockbuster, and I've got my fingers crossed.
Donna McMahon discovered science fiction in high school and fandom in 1977, and never recovered. Dance of Knives, her first novel, was published by Tor in May, 2001, and her book reviews won an Aurora Award the same month. She likes to review books first as a reader (Was this a Good Read? Did I get my money's worth?) and second as a writer (What makes this book succeed/fail as a genre novel?). You can visit her website at http://www.donna-mcmahon.com/. |
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