| The Complete Alcatraz | |||||||||
| Brandon Sanderson | |||||||||
| Gollancz, 767 pages | |||||||||
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A review by Nathan Brazil
Like most reviewers, I write about what I read because I want to tell others about really great books. Some authors
make that easy, a few make it impossible, but the smallest group are those such as Bandon Sanderson, who have produced
works that in equal measure delight and disappoint. First the positives, beginning with the inventive ideas Brandon
Sanderson presents. I loved the notion that there are more continents, in the vastness of the seas, than we know
about. Places that are kept from our knowledge as part of a vast conspiracy. As the author puts it, how many people
personally sail out into the deep ocean. We're told there's nothing but sea for thousands of miles, but what if those
controlling that information, and the shipping lanes, are liars? Similarly, I found the idea of special powers based
around spectacles -- or more accurately lenses -- wielded by Oculators, to be fresh and fun. Alcatraz Smedry as the
American answer to Harry Potter has a certain appeal, and there is plenty of room for something original to thrive,
especially as the reluctant hero of the titles goes out of his way to make sure readers are clear that he is not a nice
person. Except, he really is quite a pleasant chap, and does the right thing without it ever seeming like he might
prefer to look out for number one. But the major problem I had with this series was the author's style of writing. Early
on he seemed to have a serious aversion to the use of pronouns, instead having Alcatraz refer to his grandfather
almost exclusively as Grandpa Smedry, sometimes twice in the same sentence. Indeed, the name came up so many times on
early pages, its incessant use became more than a little irritating. It may be that the author was trying to replicate
how he thinks 13 year-old boys speak, but really, how many children of any age refer to their grandparents by their
surnames. Also grating rather badly was the author's decision to have his main character tell the story in first
person, from the perspective of having already lived through it all. Any illusion that he might not overcome the
considerable difficulties with which he was faced was therefore instantly dispelled.
Others may come to an entirely different conclusion, and the author certainly has readers in huge numbers, but I ended up
feeling that the ideas promised more than their execution delivered. Brandon Sanderson is certainly not shy of blowing
his own trumpet -- he describes himself as writing epic novels -- and, as some readers will know, was 'the chosen one'
picked to complete Robert Jordan's Wheel of Time series. There are some really interesting ideas here,
but the author bundles most of them into the background, in favour of lacklustre humour, less than stellar
characterisation, and a slightly patronising narrative which has a nasty habit of torpedoing dramatic tension. I think
today's young readers, especially the post-Potter crowd, want more than that and hold authors to a higher
standard. I may be in a small minority, but I have to be honest and say that I found The Complete Alcatraz
to be an okay read, rather than the great work that I'd hoped it might be.
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