Darkspawn | |||||
Lois Tilton | |||||
Hawk Publishing, 513 pages | |||||
A review by Rich Horton
One of the interesting aspects of the novel is its well-imagined take on the vampire legend. The vampires in the nation
of Kharithnya are the long-time rulers of that land. Their blood-drinking is tied to the obedience their subjects owe
them; but also implied is loyalty of the rulers to the ruled. In a sense, the vampirism can be seen as a metaphor
encompassing the feudal obligations of ruler to subject and vice versa. Emre Bakhány is introduced as the last
in a long line of Bakhánys, who appear to have been mostly just, if harsh, rulers: taking blood only voluntarily given
(in small amounts) or from condemned prisoners. Only a few people can become vampires, that is to say,
undead/immortal. The transformation also results in the loss of the ability to have children. Emre's children are
long dead, having failed to make the transformation. As the book opens, Emre is worried about the possibility of a
successor, and also about the incursion of Sun-worshippers into this Moon-worshipping region. But suddenly he is
betrayed by one of his Wardens, and he is imprisoned in chains beneath the earth.
Hundreds of years pass. Kharithnya has been overrun by the Sun-worshippers, and Emre remains trapped in
his "grave." But then Kharithnya is invaded by the Circhaks, horse raiders resembling the Mongols. The invading force
accidentally frees Emre, and he finds himself making his way to his old castle, seeking revenge on the sun-priests who
captured and imprisoned him, as well as trying to find a way to rally the few people still loyal to his religion in order to take back his country and repel the invaders.
The story follows four point-of-view characters, Emre Bakhány himself, a warrior-turned-shaman of the invading
Circhaks, and a priest of the sun-worshippers, Milósz Vakhószy, along with his sister Milóny. Thus
we see the action from the point of view of the nominal hero, from representatives of his two opponents, and from a
character torn between the hero and one of his enemies. The main action, then, interweaves a solid action story about
the war with an even better personal conflict story about Emre's efforts to continue his line, to deal with his
(rather excessive) lust for revenge, and to deal with Milósz' antipathy to Emre and to what he represents.
I thought this was a fine fantasy novel. The action is well done and exciting. The main characters are well-depicted and involving.
They are all morally complex, sometimes hard to like (certainly including the hero), and their fates are treated uncompromisingly.
The fantasy elements are interesting and well-imagined, and this particular take on the vampire legend makes good use of the traditional
elements with logical and consistent variations.
There is a lot of fine stuff being published by smaller presses, especially in these days of corporate consolidation
at the major houses. Darkspawn is one good example of a first-rate book available from a small press.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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