| Jumper: Griffin's Story | ||||||||
| Steven Gould | ||||||||
| Tor, 286 pages | ||||||||
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A review by Jayme Lynn Blaschke
Got that?
Griffin O'Conner is a major character in the film, one that doesn't exist in Gould's other novels. Jumper: Griffin's
Story certainly qualifies for this year's Truth-In-Advertising awards, because that is exactly what the novel is: the
backstory of Griffin, giving readers the inside story on how this disaffected young man gets to the point where cinema goers
first encounter him on the silver screen. It sounds awkward, and, in truth, it is. But Gould has a personal stake in this
property, and the end result is a novel with far more heart than any movie-tie in deserves.
Griffin is a jumper -- a rare human with the ability to teleport to any place he has physically been. After his ability first
manifested itself at age 5, sinister men began showing up, asking probing questions, and his family was forced to flee the
United Kingdom. When Griffin is 9, living a normal life in San Diego, California, he accidentally jumps in front of witnesses
and very quickly the goon squad shows up again. Only this time, Griffin barely escapes with his life. His parents are not
so fortunate. The killers are self-styled "Paladins," members of a super-secret, conspiratorial organization dedicated to
hunting down and eradicating jumpers -- preferably when they're young and defenseless. The Paladins are sensitive to jumpers,
and can detect teleportation activity within a certain radius. They have a nasty arsenal of weaponry at their disposal as
well. Thus begins an extended game of cat-and-mouse, with Griffin managing to stay one step ahead of his pursuers, although
never quite as far ahead of them as he would like to believe.
Two things hamper Jumper: Griffin's Story, preventing it from reaching its full potential as a stand-alone novel. First
is the fact that it is a back story movie tie-in. Griffin's story doesn't come to any real resolution -- his fate is left quite
open-ended, and what little closure he achieves pales in significance to the larger issues at stake. This is to be expected
to some degree -- after all, if Griffin's story were indeed resolved, there'd be little left for the movie -- but one
can't help but wonder what Gould could've achieved had he not been fettered by the restrictions of a tie-in. The second
flaw is that Griffin's coming of age, mastery of his powers and initial grasps of independence echo the character arc of
Davy in the original Jumper a bit too much. Bank robbery and hidden desert fortresses are all well and good, but
it exposes a weakness in Gould's writing process -- something that up unto this point had been a great strength. Gould is
a ruthlessly logical writer. He takes a fantastical premise and tuns it inside out, attacking it with steady
rationality until he comes away with situations, solutions and consequences that ring true. Because they are
true -- if such fantastic abilities existed. And any person facing the same situations would make very much the same
choices simply because that's the logical course of action. Except that all people aren't rational. Heck, most of the people
I encounter on a daily basis are anything but. That both Davy and Griffin are both able to "work the problem" in so
calculating a manner, like a super-powered NASA flight controller, stretches the borders of credibility more than a
little. Then again, this is a novel about teleporting kids and the people who hunt them.
Shortcomings aside, Jumper: Griffin's Story is easily the best movie tie-in anyone will read this year, and the
odds-on favorite to be the best of the decade. It confronts the limitations of the form head-on, and in many cases overcomes
them. At its worst, it's a meandering biography with some nifty action sequences thrown in. At its best, however, it's a
fascinating alternate reality exploration of those same questions he posed in the original Jumper, seen through
the warped glass of a funhouse mirror.
Jayme Lynn Blaschke writes science fiction and fantasy as well as related non-fiction. A collection of his interviews, Voices of Vision: Creators of Science Fiction and Fantasy Speak, is available from the University of Nebraska Press. He is also a contributor to the group blog No Fear of the Future, which can be found at nofearofthefuture.blogspot.com. |
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