Shadowbridge | ||||||||
Gregory Frost | ||||||||
Narrated by Lauren Davis, unabridged | ||||||||
Audible Frontiers, 11 hours, 46 minutes | ||||||||
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A review by Nicki Gerlach
Leodora is a collector of those stories, a sixteen-year-old orphan who has fled from the abusive care of her uncle
and the tiny village in which she grew up, onto the more cosmopolitan world of the spans. Following in her father
Bardsham's footsteps (but disguised as a boy), she makes her living as a shadow puppeteer, telling the stories of
the spans. Acting as her agent and guide is Soter, a drunken old man who used to perform the same office for
Bardsham. Soter is haunted by Leodora's family's past, a legacy that he hopes to keep secret from the girl, even
as her talent begins to outstrip even her father's. Rounding out their small traveling troupe is Diverus, another
orphan who has been god-touched. Born an idiot, left as a sacrifice to the gods, he was gifted with the ability
to play any music upon any instrument… although gifts from the gods are not always blessings, and seldom come
without a price.
Shadowbridge is a world of stories, and Shadowbridge is also a novel of stories. There's a central story
running throughout -- of Leodora and her companions traveling the spans -- but there are major digressions to
tell the back stories of Leodora and of Diverus, and sprinkled throughout are the stories of Shadowbridge
that Leodora collects and performs. It's a format similar to Megan Whalen Turner's The Thief, but
even more so, and it works exceptionally well to weave together a feeling of the world, its inhabitants,
and their mythos. Shadowbridge is a unique, imaginative, and highly textured world, and I found Gregory Frost's
writing to be thoroughly transporting. However, for readers who prefer a more linear approach to storytelling,
it might come off feeling fragmented.
The only real issue I had with this book is that it doesn't tell a complete story. I don't know what went
into the decision to publish Shadowbridge and its sequel, Lord Tophet, as two separate (albeit
relatively short) books instead of one complete manuscript. Whatever the reason, however, it leaves
Shadowbridge feeling somewhat incomplete; it spends all of its time doing character introduction
and worldbuilding, and seems content to leave almost all of the main plot for the sequel. That's not to say
that it isn't well-written, or compelling, or interesting -- indeed, I was thoroughly hooked by the story
from the beginning, and frequently found myself willingly doing household chores I'd been neglecting, just
so I could have the opportunity to listen to more of Shadowbridge. However, neither piece of the duology
can stand on its own as a complete work, so the decision to split it in two feels artificial and leaves a
trace of a bad taste in my mouth.
I was also somewhat distracted by the narrator's voice, at least initially. Lauren Davis is a good narrator
overall, and good with keeping voices consistent and recognizable, but she just sounds so young. I don't
know how old she actually is, and her voice is a good fit for sixteen-year-old Leodora, but it was rather
disconcerting to hear a voice that normally narrates children's and mid-grade books so casually discussing
violence, cruelty, and sex.
All in all, though, I really enjoyed Shadowbridge, and will certainly be listening to Lord Tophet,
as well as keeping an eye out for more of Frost's novels in the future. I'd recommend Shadowbridge
to all fantasy fans, but particularly those who like the story-within-a-story format, those who enjoy legends
and fairy tales, those who are interested in mythology and enjoy stories of gods interacting with mortals,
and most of all, to those who have the second book on hand (or enough Audible credits to download it)
immediately upon finishing the first.
Nicki Gerlach is a mad scientist by day and an avid reader the rest of the time. More of her book reviews can be found at her blog, fyreflybooks.wordpress.com/. |
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