| The Soprano Sorceress | |||||||||
| L. E. Modesitt, Jr. | |||||||||
| Tor Books, 509 pages | |||||||||
| A review by Jeff Berkwits
From simple tasks like freezing water and lighting fires to complex undertakings such as building
castles or changing weather patterns, an individual's lyrical and
vocal abilities are necessary for success in almost every facet of life in this
pseudo-medieval realm. Under the tutelage of
her aide Daffyd and the cunning but decent Lord Brill, Anna slowly learns to understand her
situation and consolidate her considerable power. She ultimately becomes deeply enmeshed in a
war between the evil monks of Ebra and the sovereignty of Defalk. By the end of the novel,
her role as a supreme sorceress and confident stateswoman is vital to the very survival of
her adopted homeland.
Like a master composer, the author weaves a fascinating symphony of sights, sounds, and
situations that delivers not only wonderful wizardry but also melodic mayhem and Machiavellian
intrigue. It's a marvelous fable that should be the first of many such euphonious exploits for
both Anna and her sure-to-be-legion fans.
Jeff Berkwits publishes ASTERISM: The Journal of Science Fiction, Fantasy and Space Music, and is also a contributor to publications such as Science Fiction Weekly and Outré. He has been a speculative fiction fan for most of his life and has fond memories of reading The Hobbit aloud with his family around the dinner table. |
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