365 Views of Mount Fuji -- Algorithms of the Floating World | |||||||||||
Todd Shimoda, Illustrated by L.J.C. Shimoda | |||||||||||
Stone Bridge Press, 356 pages | |||||||||||
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A review by Lisa DuMond
Let me tell you why.
365 Views of Mount Fuji is actually a three-part narrative.
The primary story line follows Keizo Yukawa, a mild-mannered art curator,
into his new job as director of the proposed museum to house the famed
365 Views by Takenoko, an unconventional artist. You watch Yukawa's attempt
to change the monotony of his life by blending in with the insanity of the
museum owner's family. And, speaking from a personal viewpoint, often you just want to smack him.
Running through the margins of the main text are sidebars that clue you
in to the past, the present, and the hidden thoughts of all of the characters.
These insights are brief and subtle, allowing you a quick glimpse behind
the scenes; the information you find is what you ferret out. Expect to
have to think. There is no spoon-feeding involved in this work.
The final component may be the easiest to overlook and the most difficult to
decipher. More clues peek out from the hundreds of illustrations scattered
across the pages. Sometimes the paintings are just exquisite decoration. Sometimes
they hold additional information pertaining to the sidebars and the main
text. Always, they set the perfect visual tone for the story.
The three narratives combined do not answer every question; plenty of room
remains for speculation. The threat of madness that hangs over every aspect
of Yukawa's new life -- is he going insane or is he the only one who retains
his sanity? Where are the workers who should be running the robotics
factory? Why do the women he meets behave so mechanically? What has he done
to attract the unwelcome attention of the Nazuma police force? And why is it
so impossible for Yukawa to comprehend the concept of artificial intelligence?
It is a strange world Yukawa blunders into. The intertwining narratives accentuate
that feeling of unease and disorientation by keeping you hopping around
on the page. The characters are impossible to pin down.
The past appears to be no more distant than the present. And, something about
the whole package is absolutely spellbinding. Be prepared to fall into a
hypnotic trance (no clucking like a chicken -- sorry) that will keep your
nose in the book, even when you know you should be doing something
else. Then again, what should you be doing? Enriching your life, of course.
365 Views of Mount Fuji can do that for you.
Lisa DuMond writes science fiction and humour. She co-authored the 45th anniversary issue cover of MAD Magazine. Previews of her latest, as yet unpublished, novel are available at Hades Online. |
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