| A War of Gifts | ||||||||
| Orson Scott Card | ||||||||
| Tor, 128 pages | ||||||||
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A review by Steven H Silver
Zeck comes from a puritanical religious sect which is not only pacifist, but also turns its back on many of the traditions
that have accumulated around Christianity. At the Battle School, the administration has made it clear that no religious
practices would be tolerated. Although this didn't sit well with Zeck, he was able to rebel with his own brand of passive
resistance, which made him unique and an outcast among those who should have been his peers.
Although he has separated himself from them, Zeck looks upon them with a mixture of pity and loathing and the situation comes
to a head when two Dutch boys, Dink Meeker and Flip Rietvald, observe their traditional Sinterklaas Day ritual. This leads
to a showdown among the students, the administration, and Zeck which raises several interesting points, many of which Card
fails to fully explore.
In the course of the story, claims are made that celebrations like Sinterklaas Day are completely divorced from either religious
practice or national traditions, either of which would make them anathema at the Battle School. This claim, made by Colonel
Graff to Zeck permits the administration to turn a blind eye to the little rebellion the students are fomenting. However,
when the Muslim students take umbrage, rather than reassess the situation, the administration stands by its claim, leading
to an escalation when Muslim students claim that praying towards Mecca, or the sun while in orbit, is as cultural for them
as celebrating Christmas is.
Within the confines of the story, Zeck and the Muslim students are the only ones who question the administration's decision
and Zeck is marginalized while the Muslims are dealt with summarily. Even after the Muslim revolt is handled, the Christian
students and administration don't reconsider their point of view, weakening the story and giving it a feel more of auctorial
polemic rather than a reasoned consideration of the issues raised.
Card's focus in the book also wanders a little. Although mostly looking at Zeck and his actions, there is an early chapter
looking at Ender's brother, Peter, which seems out of place and mostly unrelated. This chapter doesn't add anything to the
rest of the tale and in fact detracts from it as the reader keeps wondering when Card is going to refer back to it. Ender's
own role in the book, while pivotal, could have been given to any of a number of other characters. By including him Card
continues to build him up as an almost messianic character.
A War of Gifts raises several interesting questions about culture and the traditions and mores which are part of
it. Unfortunately, Card fails to fully address the issues he raises, instead appearing to simply posit one point of view
and dismiss any ideas which might be in conflict.
Steven H Silver is a seven-time Hugo Nominee for Best Fan Writer and the editor of the anthologies Wondrous Beginnings, Magical Beginnings, and Horrible Beginnings. He is the publisher of ISFiC Press. In addition to maintaining several bibliographies and the Harry Turtledove website, Steven is heavily involved in convention running and publishes the fanzine Argentus. | |||||||
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