| What If What's Imagined Were All True | |||||||||||||||||
| Roz Kaveney | |||||||||||||||||
| A Midsummer Night's Press, 60 pages | |||||||||||||||||
| A review by Sandra Scholes
There are four chapters in the book, 1. From the Orpheus Sonnets, 2. What's Imagined, 3. Steam Punk Sonnets,
and 4. Watchers Know. For those who have read or studied books of poetry, you might have thought all poetry to be pretty
dry reading, but this is more involving if you consider it an interesting take on classical poetry.
Roz Kaveney is a contributor to The Independent, The Guardian and
The Times Literary Supplement, and is the author of several
books on popular culture. Since working in London, she has worked as a writer and activist of trans issues. She
co-founded The Midnight Rose Collective and wrote other anthologies such as Temps, Villains! and The Weerde. She
also has her first novel, Rituals, out and has edited Tales from the Forbidden Planet
and More Tales of the Forbidden Planet.
Her poems speak for themselves, and are as enjoyable as other poetry I have encountered:
"In such—gryphons and chimeras and weres
This poem shows the array of creatures she features in this book. Each creature knows the thoughts it has, knows
how cruel it can be but knows pain more than anything. It tells of Orpheus's descent into the underworld and how much
he had to appease the guards stationed at the entrance with his music. While acting on a way for him to escape their
wrath, it also meant he had given them some momentary pleasure.
"He travelled with them, Never used any oar
In this passage of Argonaut, memories of Jason and his men flood his mind, and of the ordeals they underwent to get him
all he needed for the voyage back. This is a similar story to Descent in its meaning and emotion.
"to every god he met, pushes his ball
Roz Kaveney evokes the thoughts of those who inhabit Tartarus, a section of the Greek underworld where only the worst
sinners went to. Here were sent all the murderers and evil doers. You can sense the dark despair of the ones involved, and their punishments.
"I simply am. I don't insult the dead
And poets. Orpheus smiled,
Orpheus feels the hatred of Hades, and his real personality. As the accepter of the dead, he has no feelings for the
ones who are brought into his dark and deathly place. He sees them as nothing, and Orpheus is made to look like he
has the last laugh at the end of the poem.
These poems are to be savoured and the book kept as it doesn't take up any unnecessary space on a shelf -- it is one
for looking back on in months to come, even years and it will be just as exciting.
Sandra Scholes can't wait to get over the awful winter weather and go back to a more autumnal setting -- other than that she works for The British Fantasy Society, Fantasy Book Review and Love Romance Passion respectively. |
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