Flights of Fantasy | |||||||||||||||||||||||||||||||||
edited by Mercedes Lackey | |||||||||||||||||||||||||||||||||
DAW Books, 309 pages | |||||||||||||||||||||||||||||||||
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A review by Georges T. Dodds
Perhaps the best stories in Flights of Fantasy are the
light-hearted ones that don't take themselves too seriously.
Lawrence Watt-Evans' "Night Flight" tells of a ditzy princess'
escape from the clutches of a wizard. However, escape means
drinking an elixir and turning into a mouse, then making her way outside only to have an
owl come between her and the counter-elixir. In "A Buzzard
Named Rabinowitz" by Mike Resnick, a political cartoonist's
animal-based parodies of local politicians and gangsters come
back to haunt him in a most unexpected way. In "Tweaked in the
Head" by Samuel C. Conway, a top secret military lab has
developed a hawk with human-level intelligence. But when the
project is to be terminated, its creator ponders the ethics of
destroying his fast-talking, cigar-smoking creation.
Three stories fall into the totem-animal category. In
"Eagle's Eye," by Jody Lynn Nye, a young Native American searches
for the eagle that is to be his spiritual mate. This story
nicely balances the adventure of the quest with the avian
mythological aspects. On the other hand, Josepha Sherman's "A
Question of Faith," while similarly a quest for an eagle totem,
is ultimately much more tied in with faith and spiritual
enlightenment. Diana Paxson's "The Tale of Hrafn-Bui" is a
typical Norse saga of the unwanted son who returns to claim
his birthright. However, this particular son has formed a bond
with the crows who had congregated around his near-lifeless
body.
Set in the traditional mythology of Arthurian England, "One
Wing Down" by Susan Shwartz, tells of Gawain reincarnated as a
hawk helping Arthur in his final showdown with Mordred. However,
unlike Honoria in Mercedes Lackey's "Wide Wings," who must
learn how her new hawk-body works, Gawain waking from death in a
mature hawk's body has an immediate and seemingly perfect control
of his body. Thank goodness Merlin set the whole thing up.
The
remaining stories in Flights of Fantasy are set in a
pseudo-medieval/sword and sorcery milieu.
The darkest and, for me, best piece in this genre in
Flights of Fantasy was "A Gathering of Bones" by Ron
Collins. It is a first-person story of a young sorcerer alone
after his father's death, whose presence is required at the
king's palace where the princess lies dying. He will discover
much of his father's dark past under the prodding of his hawk,
Kiva, who is herself much more than she looks. "A Gathering of
Bones" had a nice, lightly Gormenghastish streak of nastiness
throughout, something the other stories lacked in their largely
good vs. bad dichotomy. In S.M. Stirling's "Taking
Freedom," a sorceress' melding of human and avian doesn't turn out
to be the meek little thrall generated by her earlier attempts,
but something she herself cannot control -- evil gets defeated by
the strength and desire for freedom of good. Nancy Asire's "Owl
Light," is again a basic tale of good vs. evil: A maiden
priestess must maintain her faith in the peace-loving owl-goddess
of her people in the face of the power-hungry priest of the
land's overlords.
In Mercedes Lackey's novella, "Wide Wings," she takes up the
story of one of the minor characters from her recent novel, The
Black Swan. While the story is chock-full of falconry detail
(to the point of didacticism at times), the plot of a
falconer-princess stifled in her patriarchal society and forced to marry
against her wishes, taking flight and attaining freedom through
transformation into a fiercely independent bird, is just a bit too
clichéd all around. Call me sexist, but stories of independent
and self-reliant young women overcoming the limitations of their
pseudo-medieval worlds seem to be a dime-a-dozen these days --
surely medieval princess can find other outlets for their
frustrations -- case in point: the wonderfully ditzy princess of
"Night Flight."
While several of the stories in Flights of Fantasy were
quite entertaining, I was somewhat disappointed in there not
being a single story told from the point of view of the bird(s).
Where one does get a bird's point of view, it is that of a human
understanding alive in a bird, rather than the mind of a bird itself. I
could see the potential for far more innovative stories, were
anthropomorphizing kept to a minimum, if this tack had been taken. Instead, I found merely the rehash of conventional fantasy plots with birds weaved in.
Even in this regard, except for the Mercedes Lackey novella,
much of the behavioural patterns and "character" of the birds
were left at the level of very basic knowledge, not exploiting
any least-bit obscure ability the birds might have had.
If you are a fantasy reader and bird-lover -- in particular
of birds of prey -- you will likely enjoy much of the material in
Flights of Fantasy. Don't expect any great
insights into the avian mind or previously unexplored avenues of
fantasy literature and you won't be disappointed. So if you're
cooped up on a winter's night with your Ford Falcon in the shop,
remember: with Flights of Fantasy you can still drive the
Audubon.
Georges Dodds is a research scientist in vegetable crop physiology, who for close to 25 years has read and collected close to 2000 titles of predominantly pre-1950 science-fiction and fantasy, both in English and French. He writes columns on early imaginative literature for WARP, the newsletter/fanzine of the Montreal Science Fiction and Fantasy Association. |
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