Galileo's Dream | ||||||||
Kim Stanley Robinson | ||||||||
Bantam Spectra, 532 pages | ||||||||
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A review by Greg L. Johnson
As the novel begins, Galileo is middle-aged, already recognized as a scholar and inventor, but bothered by
financial difficulties; neither his professorial stipend nor sale of military compasses earns enough to support
his household of family and servants. He needs either a new patron, a new invention, or both. A mysterious
stranger approaches him, and asks if he has heard of the new telescoping lenses being made in Amsterdam. That's
enough to set Galileo on the path to making his own telescope, and the rest is history.
The mysterious stranger is from the future, a member of a society based among the very Jovian moons that Galileo
was the first to see. He eventually takes Galileo there, hoping to involve the man who they regard as the first
real scientist to influence a decision that threatens to embroil their society in conflict. The catch is that
when Galileo is returned to his own time, he remembers little or nothing of what has happened to him in the future.
The time travel episodes are incidents, the main focus of Galileo'e Dream is the life of Galileo. We follow
his struggles to earn enough money, his problems dealing with other people, and his joy at the discovery of
the mathematics underlying the results of his experiments with acceleration. And we follow with trepidation
as he walks headlong in to the fate we all know awaits him.
So why add a science fiction element to what is otherwise a straight-forward, if intimate and meticulously
researched, look at the life of Galileo? One thing it does is to allow Kim Stanley Robinson to introduce a third party
critique of Galileo's life. In modern biography, there is a sense that the subject's actions and statements
should be read in the context of their own time. And there can be an element of unfairness in judging the
past by the standards of today. By taking Galileo out of his own time, Robinson avoids that problem. In
the future, Galileo meets several people, and while they are all appreciative and admiring of his work as
a scientist, there is criticism of his personal life, especially his treatment of his mistress and his
daughters. When it came to scientific discoveries and the pursuit of knowledge, Galileo was able to see
beyond the conventional wisdom of his time. When it came to social conventions and personal
relationships, he was not.
But Galileo's trips to the future don't offer just revelations on his personal life. Galileo is also
treated to a vision of the future of physics. Using an enhanced learning technique, he learns how far his
early experiments in physics have gone, leading to a multi-dimensional vision of the universe that fills
his mind, and ours, with wonder. Robinson uses this opportunity to flesh out Galileo's Dreams with
speculations on physics, philosophy, history, the nature of time, and the paradox of how one man can be
at once so much a part of his own time, and also so far beyond it.
In the end, that's what makes Galileo's Dreams not just a biography, but a science fiction
biography. And in a career that's included visions of alternate Californias and a terra-formed Mars,
Galileo's Dreams is Kim Stanley Robinson's crowning achievement.
Reviewer Greg L. Johnson notes that in the 400th anniversary of Galileo pointing his telescope skyward, NASA has just unveiled its latest space telescope. We are, in essence, still following the path he laid out so many years ago. His reviews also appear in the The New York Review of Science Fiction. And, for something different, Greg blogs about news and politics relating to outdoors issues and the environment at Thinking Outside. |
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