The Horror Stories of Robert E. Howard | ||||||||
Robert E. Howard | ||||||||
Del Rey, 560 pages | ||||||||
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A review by Mario Guslandi
The power of Howard's imagination is astounding ,covering a variety of themes (from horror standards such as vampires
and werewolves to sea monsters and Lovecraftian terrors), a wide range of subgenres (western, weird menace, historical
fantasy) and of ages (from BC times, to the Roman empire to contemporary settings).
The present, massive collection includes 36 stories plus a bunch of poems (the merits of which I don't feel qualified to
discuss) selected by Rusty Burke and marvellously illustrated in black and white by Greg Staples.
Some pieces are quite short, but extremely effective such as the chilling "In the Forest of Villefere," one
of the most terrifying werewolves tales I have ever read and its sequel, the more complex "Wolfhead," a naive but
excellent piece with an exotic taste.
A couple of tales are centered on sea life as "Sea Curse," a brutal story of murder and revenge, and the
gloomy "Out of the Deep," describing the lethal deeds of a sea monster taking human shape.
Solomon Kane makes his appearance both in "Rattle of Bones," a very dark, atmospheric piece set in a deserted
tavern, featuring a murderer, a thief and a vengeful skeleton, and in "The Hills of the Dead," a graphic
tale of voodoo and vampirism.
Lovecraftian atmospheres permeate "The Black Stone," "The Thing on the Roof" and the excellent "The Hoofed
Thing," all powerful tales revolving around blaspheme cults, evil gods and alien creatures bringing death and
terror into our world.
Fine examples of western horror are the superb "The Valley of the Lost" where ancient powers sleeping in a
deserted cave return to reveal the forbidden secrets of the universe, "The Horror from the Mound," a solid
vampire story set in a desolate piece of land in west Texas, the vivid "The Man on the Ground," depicting
the final duel between two men fighting their perpetual feud and "Old Garfield's Heart" featuring a man who
lives longer than a person should, thanks to a heart which is not human.
The book includes some quite enjoyable pieces of historical horror set in pagan times ("Worms of the Earth," "The
Cairn on the Headland") as well as private, modern horrors. Among the latter, the most accomplished are "The
Spirit of Tom Molyneaux," the breathtaking account of a violent boxing match decided by the intervention of
a ghostly fighter, "The Dweller in Dark Valley," where the personal hate between two twin brothers blends
nicely with cosmic evil lurking in the depth of the Earth, and "The Haunter of the Ring" a pulp fiction piece
in which a woman tries to kill her husband under the influence of an evil spirit summoned by a former lover.
Needless to say, The Horror Stories of Robert E. Howard also
includes famous stories such as the thrilling "Black Canaan," a terrifying
voodoo tale, and Howard's masterpiece "Pigeons from Hell," an unforgettable piece disclosing the terrible,
unholy secrets hidden in a mansion in southern USA and providing an exciting mix of voodoo, vengeance and killing.
While some reviewers lament the omission of other classic stories such as "Skullface," "Valley of the Worm,"
"Cobra in the Dream" and "Queen of the Black Coast," it must be acknowledged that this already hefty book
does provide an excellent overview of the extraordinary talent of Howard as an eclectic, captivating horror writer.
Highly recommended.
Mario Guslandi lives in Milan, Italy, and is a long-time fan of dark fiction. His book reviews have appeared on a number of genre websites such as The Alien Online, Infinity Plus, Necropsy, The Agony Column and Horrorwold. |
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