Sultan of the Moon and Stars: Third Book of The Orokon | |||||||||
Tom Arden | |||||||||
Victor Gollancz, 518 pages | |||||||||
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A review by Neil Walsh
The earlier part of the story hasn't faded in my mind, but my recollection of it may have become somewhat altered. I just
now went back to re-read my review of the first two books, The Harlequin's Dance and
The King and Queen of Swords (now available in mass market paperback), and I was rather surprised to see that I had
described the series as if it were dense reading. Maybe large sections of the first volume seemed to be providing an
unusually languid beginning to an epic of high fantasy, but I clearly recall the ribald humour and the clever interweaving
of literary styles that so amused and delighted me. Looking back on it now, I remember how much I enjoyed reading those
first two volumes. I don't recall any hard slogging at all. And there's certainly nothing dense about
Sultan of the Moon and Stars; it's a fun, well-paced story, cleverly told.
The 1001 Arabian Nights seems to be the main inspiration for this chapter of The Orokon. Driven by his
quest to the exotic, desert lands of Unang Lia, Jem finds himself in a world of magic and mystery. There he must seek the
crystal of Theron, god of fire -- third of the five magical crystals of the Orokon. But Jem is separated from his friend
Raj (bearer of one of the crystals), who winds up running with a gang of young thieves. The villainous and demon-possessed
Polty is also back, making trouble for everyone (including himself, and the demon who 'rules' him). Cata, meanwhile,
having escaped the stifled world of finishing school, is travelling with Bob Scarlet and his band of rebels/highwaymen in
her attempt to catch up with Jem. She soon finds herself in the Caliph's palace, where she befriends his daughter, the
Shimmering Princess, who is 'Shimmering' because she's not physically there -- only a shadow of her self remains (due
to a curse many years ago involving a disgruntled soothsayer and a magic lamp). This, however, is not common knowledge,
and certainly the Sultan will be most displeased when he discovers that his son is engaged to be married to a shadow! But
really, there's too much to explain. It would be like trying to summarize for you what the Arabian Nights is
all about -- I could tell you in 25 words or less, but it wouldn't begin to give you a fair sense of the richness of the whole work.
A great deal of Sultan of the Moon and Stars emulates the style of the Arabian Nights -- far more than just
the setting and the tales revolving around prophecy and magic, flying carpets, genies, harems of beautiful women, eunuchs,
clever thieves, illusory palaces, real palaces, cobras, curses, sexual innuendo and explicit sex (although less of these
last two items than in the original tales of Shahrazad). In addition to all of that, Arden also captures the flavour
of the Arabian Nights through the stories within stories, the themes repeated within different tales, and the
recurrence of characters from one story in a tale told much later in the whole narrative. It's all done with wit and
style, making it a thoroughly enjoyable read.
Arden is a writer who clearly enjoys playing with language and who obviously appreciates the literature of various periods,
as demonstrated already in the first two books. He is also emerging as a master of melodrama, although that may be largely
a result of his choice of the literary genres and periods he's playing with. He pays homage to these different styles at
the same time that he parodies them, with the result that as a reader I sometimes feel as if he's leading me along by the
nose just to see how far I'll go -- or am I following just to see how far he'll go? No matter, though, since it's an
enjoyable trip -- even when he does push it quite far.
In this latest volume, I found myself missing Morven & Crum (bit players in the earlier books) and Aunt Umbecca (earlier
a major player), who were all alluded to but not directly encountered in this latest installment. Nirry and Wiggler,
however, are back for brief cameos. There are hints that many of these charmingly ridiculous lesser players have not yet made their final exit.
I didn't find this book to be quite as humorous as his earlier two, although there
were a few moments that made me crack a smile. Sometimes the humour is a bit crass (as is much of the humour in the Arabian Nights), so if you get into the spirit of it, maybe you'd be likely to laugh more. But when things get gruesome, Arden doesn't hold back too much. Nevertheless,
I would say that Sultan of the Moon and Stars is a fairly light reading fantasy. And if that's a complete
reversal of my earlier position on the series, either I was just plain wrong before, or it's simply a tribute to Arden's
ability to play with his readers, radically changing his writing style while maintaining a firm grip on the overall storyline.
Neil Walsh is the Reviews Editor for the SF Site. He lives in contentment, surrounded by books, in Ottawa, Canada. |
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