The Coming | ||||||||
Joe Haldeman | ||||||||
Ace Books, 217 pages | ||||||||
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A review by Rich Horton
Haldeman explicitly credits James Gunn's fine novel about receiving messages from aliens, The Listeners, as an
influence, but The Coming reminded me much more of a brilliant and underrated novel by John Kessel,
Good News From Outer Space. Both the Haldeman novel and the Kessel novel use the idea of aliens coming to Earth
as a fulcrum for an exploration of US society.
The Coming opens with an astronomer at the University of Florida, Aurora Bell, recognizing an anomalous signal
from a gamma ray telescope. It turns out to be a short message saying, in English, "We're Coming." And she is able to
confirm that it comes from a source about a tenth of a light year from Earth, blue-shifted so that it must be travelling at
99 percent of the speed of light. Soon the message's authenticity is independently confirmed, and Doctor Bell and her
colleagues prepare for the media and political onslaught.
The novel is neatly structured so that the point of view smoothly shifts from scene to scene, such that each new scene
begins from the POV of a character encountered just previously. This gives the whole book a certain fluidity and a certain
sense of movement, and it also allows the author to gracefully explore events through the eyes of a variegated array of
individuals. What we see is a portrait of the city of Gainesville, Florida, in the year 2054. The characters include
Dr. Bell and her husband, a composer and also a professor; several colleagues of Dr. Bell, significantly including her
assistant, a mysterious immigrant from Cuba named Pepe Parker; a restaurant owner in the University neighbourhood; a
Mafia bag man; a policeman; a couple of reporters; a homeless lady; a university student making extra money by "acting"
in "virtual reality" pornographic episodes; and more. Haldeman uses this tapestry of viewpoints to portray the
reaction of the wider populace to the Coming of the aliens; but more importantly, he uses it to portray the social and
political and technological landscape of this particular future.
This future is interesting and well-imagined. The future tech includes highly computerized homes and holographic conference
calls and the above-mentioned virtual porn. Environmentally, the world is facing advanced global warming, with much
flooding, unusual winters and summers, sunblock essential at all times lest you get skin cancer, etc. Haldeman's
political depiction of the US is a bit disappointing: his view is a cynical redaction of contemporary politics, with
all but unchanged Democratic and Republican parties, and an image-besotten Republican idiot as President. There are
snippets of world politics that present some interesting changes: an important subplot concerns a looming war between
France and Germany. The major social change in the USA that affects the book is that much stricter laws about sexual
activity have been implemented: homosexuality is completely criminalized, while even some consensual married activities
are apparently against the law. I confess I find these last changes implausible and counter to real social trends
in the US today: perhaps I am simply an optimist. His overall future is somewhat depressing but not without hope,
and it is intriguing to visit. The characters are well-portrayed and involving, and they have personal stories that
hold the reader's interest as well.
The plot is also worth attention, if, in the main, it's a skeleton to hang the depicted future on, as opposed to being
the mainspring of the book. It turns on political manoeuvring about the proper response to the arrival of the aliens,
as well as the calamitous revealing of a dark secret in the Bells' past. There is a certain amount of action and
intrigue, resolved nicely enough. And Haldeman's climax, involving the promised arrival of the aliens, is well-handled,
and the reader isn't cheated. Overall the book feels just a bit slight, but it's a fine effort, and a good solid
read. The feel of the book is oddly comfortable: perhaps because the major characters are likeable if
imperfect, and perhaps because the message is optimistic despite some dark aspects of the depicted future.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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