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Set in a mediaeval ducal court, Blind Vision is a well-written and detailed historical novel of intrigue and romance. Besides the fact that the characters and the Duchy of Montrouge are fictitious, the only "magical" element is that the main character has visions of the future, something that was fairly common among mediaeval Europe's religious zealots. In this sense, Blind Vision tends much more towards historical romance than towards fantasy, being reminiscent in some ways of Leslie Barringer's Neustrian trilogy and in other ways similar to Katherine Kurtz's Deryni novels. Indeed Blind Vision's forté is the development of its characters and, to a lesser extent, of the intrigue that surrounds them. Blind Vision is a novel of people, not events; of burgeoning relationships not bloody battles; and of imperfect characters' emotional development, not of irredeemable evil despots or angelic do-gooders.

Blind Vision tells of Phillipe, a young seer come to the court of Duke Bernard d'Albin, who must figure out just how to tweak the present in order to avoid the death and destruction that the majority of Phillipe's visions foresee for the ducal see. Phillipe who, under a drug-induced trance, can foresee a number of different timelines must try to identify who will be a threat to his employer and what critical events lead to diverging timelines. Unfortunately, the Duke's young sister Zuli, whose birthmark brands her as disfavoured of the Goddess, is convinced that Phillipe is just a slick con-man. Her skepticism and antagonism make it all the more difficult for Phillipe when he realizes that Zuli's bearing of heirs to the duchy, a role she believes she is precluded from, is the key to a happy future. A series of events bring Phillipe and Zuli closer, but a murder attempt and the arrival of the Crown Prince along with the Duke's presumed enemies brings events to a head.

Georges Dodds is a research scientist in vegetable crop physiology, who for close to 25 years has read and collected close to 2000 titles of predominantly pre-1950 science-fiction and fantasy, both in English and French. He writes columns on early imaginative literature for WARP, the newsletter/fanzine of the Montreal Science Fiction and Fantasy Association and maintains a site reflecting his tastes in imaginative literature.