| Zanesville | ||||||||
| Kris Saknussemm | ||||||||
| Villard, 485 pages | ||||||||
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A review by Victoria Strauss
The Satyagrahi take the man in, but the tests they run on him reveal some strange things. According to his DNA he's
Paul Sitio, a.k.a. Hosanna Freed, ex-porn star and legendarily virile free-love cult leader -- but Freed has been dead
for nearly thirty years. The man's identity is password-protected and his security clearance is as high as it gets. More
alarming, there's embedded code that links back to the Vitessa Cultporation, the nation-spanning commercial empire that
all but owns the world.
The Satyagrahi don't know what it means, but they do know the man is too dangerous to keep around. They place him on a
Greyhound bus, equipped only with the name they've given him, Elijah Clearfather, and a map marked with three of the most
significant points in the life of Hosanna Freed -- Pittsburgh, Pennsylvania, where he was born; Dustdevil, Texas, where
he died; and LosVegas, Nevadafornia, where he became a porn star. Thus begins an epic search for identity, a psychedelic
odyssey across an America surreally transformed by earthquake, holy wars, futuristic technology, and out-of-control
pop culture. Clearfather is tormented by the sense that he has come into the world to find someone -- but whom? He's
pursued by the big questions -- What is he? Who made him? -- and also by more specific mysteries: Why does he
dream of whirlwinds, of a city made of cyclones? What's his connection to Lloyd Meadhorn Sitturd, the neglected
American genius who received enlightenment in a tornado? Who is Stinky Wiggler, whose gnomic aphorisms decorate
road signs that only Clearfather can see?
According to the back cover copy, Zanesville is "By turns hilarious and deeply moving, a savage, fiercely
intelligent satire that is also a page-turning adventure and a transcendent love story..." Well, maybe. Zanesville
presents as a delirious explosion of authorial free-association, propelling its amnesiac hero from one hallucinatory
situation and bizarre encounter to another in a rapid-fire style that appears to possess no logic beyond the author's
imagination, and often leaves the reader as bemused as Clearfather himself. There are ex-footballer drag queens and
lesbian motorcycle gangs, drug-addled maniacs and genetically-altered monsters, secret revolutionary networks and
sinister world-dominating corporations, genitally-obsessed Disney-style cartoon characters, outcast communities
weirder than a Bosch painting, whole states remade as amusement parks. Imagine On the Road rewritten by
Hunter Thompson and filmed by Terry Gilliam. Clearfather's adventures are interwoven with archetypal elements of
American mythos -- prairies, bingo halls, revivalists, roller coasters, tornadoes, baseball -- and punctuated by a
series of astonishing action sequences: a nightmare flight via dogsled through the mutant-populated subway tunnels
of New York City, an apocalyptic encounter between a swarm of robotic locusts and a super-cyclone, a demented pop
culture implosion in which giant celebrity robots battle each other, and the entertainment mecca of LosVegas, to
extinction. Here's a taste:
The novel's strength lies in the manic fertility of the author's imagination -- in a book stuffed to bursting with
outlandish events, locales, and beings (human and not), it's an astonishing feat never to repeat oneself -- and in
its resonant themes, which coalesce gradually and with surprising clarity out of the apparent chaos: the search
for self, the search for meaning, the search for God. There are echoes of Frankenstein and Paradise
Lost -- and, especially, The Wizard of Oz. In the end Clearwater's acid trip of a Yellow Brick Road
does lead him to the wizard, who may indeed be God -- or at least, god of his own self-created universe. In
that ultra-strange environment, where realities slide into each other and alternate universes lurk behind cliff
walls, Clearfather, like Dorothy, discovers that the wizard is quite a bit less than he seems.
Is Clearwater a Messiah? A puppet? Is his destiny inevitable, or is there room for free will? Is it all
illusion? On these questions the book ends, tying up themes and plot threads with unexpected neatness. Plenty
of room, however, is left for further developments. Since Kris Saknussemm's web site describes Zanesville
as "the first book in The Lodemania Testament," we can presumably expect answers at some point
in the future.
Victoria Strauss is a novelist, and a lifelong reader of fantasy and science fiction. Her most recent fantasy novel, The Awakened City, is available from HarperCollins Eos. For more information, visit her website. |
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