| Silver Kiss | |||||
| Naomi Clark | |||||
| Queered Fiction Press, 70K bytes | |||||
| A review by Sherwood Smith
Her partner is a human woman, a PI named Shannon. Ayla's parents are not bad people. From their point of view, it's a
werewolf's duty to the Pack to produce offspring, as birth rates among the werewolves have been dropping
steadily -- ironically about as long as they've been able to live openly among humans. Ayla and Shannon do not want
offspring, something the parents obviously struggle to accept.
Though the setting seems a trifle unmoored, we catch hints that this is an alternate Earth through mention of
Yorkshire, and Roman history. In this world, there are no other supernatural beings, only the werewolf, who has been
living among humans for a very long time.
Ayla wants badly to become a police community support officer, and that means jumping through social hoops like
attending Lupercali, at which the young cubs are blooded and made members of the Pack. Ayla was not outcast, which
is the Pack's way of punishing wolves, forcing them away from family and wolf community. Ayla was a lone wolf by
choice, so when she moves back, she's invited to Lupercali to be blooded, after which she gleefully shifts and
runs on the hunt.
On that hunt, she discovers that dangerous rarity, a werewolf who has gone feral: all wolf. She nearly does not
survive the encounter. She returns to report, and ends up in a nasty fight with Shannon, who was so worried that
she reacts with anger.
Already Ayla regrets moving back. She feels crowded, uneasy because Shannon willingly gave up her connections in order
to move. Shannon has had to cold-start her career.
Encouraged by their friends Vince and Leon, a pair of wolves, Ayla and Shannon try to settle in... and at first
Ayla is glad when Shannon gets her first break, a case of a runaway wolf teen.
The book starts off at a leisurely pace as we get to know Ayla, Shannon, Ayla's co-workers at the tattoo parlor, and
the couple's wolf friends, Vince and Leon. Glory, a cross-dressing wolf friend, invites Ayla for a run that turns
out to be far more dangerous than either expected.
When Ayla and others wolf out and go running, the sensory shift is compelling, from the sepia tones of visuals to the
explosion of emotion-charged scents, and the wolf emotional spectrum and interactions. Naomi Clark's wolves are compelling
and real.
Ayla and Shannon both begin to pick up clues centering around the supposedly harmless herbal cigarettes called
Silver Kiss, used by teen wolves who seem to be out of control. Adding tension to the confusion of clues is ugly
anti-wolf and anti-gay graffiti on Shannon and Ayla's home, the work of a group called Alpha Humans, who are a lot
like the KKK in politics and in tactics.
Why do some wolves go feral after smoking Silver Kiss, and who's dealing it to them -- and why? Why are the Alpha
Humans harassing Shannon and Ayla? Where is the wolf girl runaway? Behind all these questions lies another reason
Ayla ran all those years ago: the brutal murder of a young wolf cousin of hers, murderers unfound.
As the mystery deepens -- intensifying the stakes exponentially -- Clark develops relationships: Ayla and Shannon as
a couple, as wolf and human. The couple's relationship with their friends, with Ayla's parents, with the Pack,
with the community. Ayla is impetuous, physical, strong, her emotions all over the place. She is aware of the
wolf inside her, and sometimes it's a struggle to control those instincts. Sometimes she just gives in, and not
always when it's a good idea.
One of the underlying questions Clark raises is the question of savagery: wolf or human? How do wolf and human
relationships work, especially under stress? Ayla and Shannon are beautifully rendered, with conflicting desires,
worries, reactions. Tender and fierce by turns, Ayla wants to protect Shannon, yet when the call comes, she cannot
resist running off, even into danger. She sees the effect on Shannon; will they survive the wolf impetuosity?
Everyone's relationships are tested -- Ayla's human and wolf side, her bond with her partner, her bond with her
friends, with her parents, with the Pack. With her expectations of a career, and in a larger sense, with society:
whose justice should prevail, the human laws or Pack law?
The story rises to a tense, vivid climax. The mystery is solved, but these larger questions remain unanswered,
leaving this reader with a strong desire to see more set in this world, about these characters.
Sherwood Smith is a writer by vocation and reader by avocation. Her webpage is at www.sff.net/people/sherwood/. |
|||||
|
|
If you find any errors, typos or anything else worth mentioning,
please send it to editor@sfsite.com.
Copyright © 1996-2013 SF Site All Rights Reserved Worldwide