| The Last Stormlord | Stormlord Rising | Stormlord's Exile | ||
| Glenda Larke | Glenda Larke | Glenda Larke | ||
| Orbit, 675 pages | Orbit, 674 pages | Orbit, 709 pages |
| A review by Dominic Cilli
The Stormlord Trilogy uses a harsh desert setting to maximum effect. The Quartern is a unique and
well developed world where water is the most valuable asset and life is difficult. People ride around on giant
centipedes and the most feared weapon is the trained zigger; a nasty little flying beetle that likes to bore
itself in through the victim's eye. Natural rain has largely become a thing of the past and the people of
the Quartern rely on stormlords to deliver their rain. Stormlords are people who can manipulate water in a
number of ways, just one of which is the power to form and move clouds. The problem is, for a number of
reasons, there is only one Stormlord left alive and the future of the Quartern and its people are at risk
unless a replacement can be found quickly. In The Last Stormlord, Larke introduces us to Shale Flint. Shale
was born in the Gibber Quarter, the poorest part of the country and one that is not known for producing
stormlords. Hence, Shale has been overlooked for too long and his training may not be enough for him to
harness his water talent, but he may just be the Quartern's last hope.
Terelle is a professional courtesan, working in a snuggery. She escapes her life there and takes up residence
with a crazy old artist named Russet. Terelle learns there is far more to this strange old man and his artwork
then meets the eye. The man turns out to be her grandfather and the paintings are the key to the most powerful
form of water magic known to the world and it appears the talent has been passed down.
In tone and quality, Glenda Larke's Stormlord Trilogy is the closet thing I have read to
Robin Hobb's The Farseer Trilogy in a long time. The setting, characters, world-building, theology
and plot are all done with exceeding care and all come off without a hitch. The magic system also deserves to
be mentioned. It's all based on water, not all that original, but Larke uses it in some very imaginative ways
with a clearly defined set of rules.
The plot lends itself nicely to heavy doses of political and social treachery, so along with the two affable
protagonists; Larke gives us a host of colorful villains to hate. Furthermore, for those of you who like to
delve deeper into your literature The Stormlord Trilogy is more than just a great
narrative. Throughout the series Larke gives us insight into a number of current topical issues. Christianity,
racism and social caste systems are all addressed deftly and unobtrusively within the text.
Generally speaking, there is much to enjoy and admire in this series. The final book of the
series, Stormlord's Exile, was strong enough to make my list of best fantasy reads of 2012. I
think one would be hard-pressed to find much fault with anything in this series and I think a good litmus
test for prospective readers is my earlier comparison to Robin Hobb. As of yet, I have not read any of
Glenda Larke's previous work (a situation I intend to remedy very soon) or I could make a more sweeping
comparison of the two authors, but based on the strength of The Stormlord Trilogy the analogy
seems appropriate so if you're looking for an entertaining fantasy series, I would highly recommend
checking out The Stormlord Trilogy.
When asked to write a third-person tag line for his reviews, Dominic Cilli farmed the work out to an actual 3rd person, his friend Neal, who in turn turned it over to a second person who then asked his third cousin to help out and this person whom Dom doesn't even know then wrote in 8th person Omniscient mode "Dom's breadth of knowledge in literature runs the gamut and is certainly not bounded by the Sci-Fi/Fantasy genre. One thing I can say with certainty is that of all the people I don't know who've ever recommended books to read, Dom's recommendations are the best. |
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