Capacity | ||||||||
Tony Ballantyne | ||||||||
Bantam Spectra, 391 pages | ||||||||
|
A review by Rich Horton
These books are very much in the general mode of, say, Charles Stross (the Stross of Glasshouse most obviously).
Capacity is set between 2223 and 2240. The Earth, the Solar System, and local star systems, are inhabited by a mix
of humans and AI's. Many of the AI's are uploaded copies of humans, living in Processing Spaces. All is under the control
of the Environmental Agency, and its arm Social Care, which keeps an eye on the psychological health of everyone. There
is a persistent belief that the real power in the entire system is a super-intelligent AI called The Watcher, which
may be of alien origin. All this points at the key questions addressed by these books: what is the difference (if any)
between "natural" and "artificial" intelligence? How do we know we are conscious, and in control of our thoughts? Is
AI dangerous?
This book is primarily told on two threads. One, in 2223, follows Justinian Sibelius, a human counselor who specializes
in AI psychological problems. He has been taken to a planet just outside the galaxy M32, to try to find out what has
been happening to the AIs on the planet -- each has committed a sort of suicide, reducing its intelligence
radically. Other mysteries on the planet include Schrödinger Boxes -- which seem only to fix their position when an
observer notices them; and Black Velvet Bands, which form at random locations and constrict about whatever they
enclose. Justinian's problems are worsened because he has had to take his child with him -- his wife is a victim
of the White Death, in which human intelligences cease to believe they are conscious.
The other thread follows Helen, an upload of whom was kidnapped and copied multiple times over decades in an
illegal Processing Space called the Private Network, where people subject these illegal uploads to sexual slavery
and such perversions. Helen is freed, and in company with a Social Care official, Judy, and several of her
copies, the villains behind the Private Network are tracked down. But they have a different ethos -- they don't
believe that AIs are sentient, and so what happened to Helen's copy in the Private Network is unimportant -- and
when the primary villain is captured, he is happy enough to have that copy suicide -- it's not real, anyway, eh?
The two threads do eventually converge, although to my taste not in a terribly convincing manner. Indeed, the book
as a whole failed to convince, nor to really involve me. Neither of the three viewpoint characters (Justinian,
Helen, and Judy) really interested me. And the arguments advanced by the book, while certainly concerning
interesting questions, never seemed very interestingly posed. Nor very coherently argued. In the end, some
promising material seemed wasted on an uninteresting plot, unengaging characters, and unconvincing thematic arguments.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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