| The Cunning Blood | |||||
| Jeff Duntemann | |||||
| ISFiC Press, 360 pages | |||||
| A review by David Hebblethwaite
Peter is offered the chance to act as bodyguard to Special Implementer Service agent Geyl Shreve, a role he reluctantly
accepts. The two of them are sent to Hell, posing as husband and wife, to find out what's going on. What Geyl and Gorganis don't
know is that Peter is a member of the Sangruse Society, and carries Version 9 of a nano-computer called the Sangruse Device in
his blood. And what Peter doesn't know is that the Sangruse Society set him up for this, after a conversation with Sophia
Gorganis. And that's not all -- but it's enough to be going on with.
Reviewing The Cunning Blood is a bit like eating a lovingly prepared but over-elaborate meal: it looks wonderful, but
you're not sure where to start. Perhaps the best place is the society of Hell, which is a magnificent creation. Jeff Duntemann
has gone to great lengths to imagine an advanced society without electricity and, like the worlds of Terry Pratchett and
China Miéville -- two other writers who have done a similar thing, though in different contexts -- it feels real. I
don't know how far some of Duntemann's speculations (such as a way to create electromagnets in a non-electric world) are
grounded in solid science, but the ideas are compelling enough in themselves -- I've even been inspired to look up some
of the things he describes.
The world of Hell alone would make this novel a feast for the imagination -- but there's more, as Duntemann also speculates
about advanced nanotechnology. Version 9 of the Sangruse Device is the world's first fully thinking artificial intelligence;
it can heal damage to Peter's body and generate toxic spit in his mouth for use as a handy weapon -- but it also has its own
agenda, and can hold Peter to ransom by inhibiting his basic bodily processes. The author also gives us scenes of
Sangruse-altered landscapes and battling nano-machines that make "grey goo" seem rather mundane. In addition, The
Cunning Blood steps into the metaphysical realm: it seems that something is (impossibly) affecting the fabric of the
Universe at its most fundamental level. If all this sounds like a lot to squeeze into one book, well, it is; inevitably,
some of Duntemann's ideas are not explored or developed as much as they could (or should) be. Having said that, the
sheer density of imagination is thrilling; and it's surely better for a novel to have too many ideas than too few.
However much of it there may be in its pages, The Cunning Blood is not all about scientific and metaphysical
speculation: the novel also has a strong political dimension. Peter has no love for the authorities, and thinks they don't
take enough risks (he was thrown out of the SIS for flying an aircraft too fast). Earth is now run by Canadians and women,
and he can't decide which is worse. Geyl, on the other hand, thinks that men's violence is responsible for the mess the
world is in, so you can imagine how the two of them get on...
Thus, you may think, the stage is set for a tale in which the macho men (and a few macho women) of Hell demonstrate how
their way of life is superior to that of the sissies on play-it-safe 1Earth (it was quite a while before I stopped thinking
so). Thankfully, Duntemann makes things more complicated than that. None of the societies in his novel is perfect: even
Hell, seemingly free with its system of orders (based on professions) and no central government, is more restrictive than
it first appears. And there are no clear good guys and bad guys as such. Yet it's hard not to end up rooting for Hell,
and for Peter. In a way, it's only natural that we would -- he is the main protagonist, after all -- but the problem is
that the dice are loaded.
I'm not sure that Duntemann intends us to take his future Earth entirely seriously; certainly its depiction is rather
sketchy: we meet a couple of its representatives, in the form of Geyl Shreve and Sophia Gorganis, but we don't really
experience the society and culture directly; mostly, we just have Peter's impressions to guide us. This is a problem
because Hell is imagined in such depth and solidity by comparison that it unbalances our view of the novel's central
conflict. How can we make a fair judgement of the sides in this morally complex universe if one feels real and the
other is just a phantom?
The way Duntemann presents his argument about society's attitude to risk is also unsatisfactory. There is a valid point
to be made, but I don't think a hothead like Peter Novilio is the
best sort of character to be making it, because he's not likely to
have the reasoned opinion that would give the argument more force. And when, at the end, Peter's view seems to have won
out, I felt that Duntemann hadn't done enough in the book to demonstrate that Peter was right: in other words, he
hadn't earned the conclusion.
I've said a lot about The Cunning Blood as a collection of ideas and opinions, but not much about it as a
novel. The characters can fall a bit flat (sometimes they feel like neutral personalities with attributes tacked on
whenever it suits the plot); and I got a bit confused towards the end about who was doing what and where. Yet, on the
whole, The Cunning Blood works well as a novel: the plot maintains interest throughout its numerous twists and
turns; and I'm particularly pleased that Duntemann manages both to write thrilling action sequences and to weave in
the science without it weighing the story down too much.
Jeff Duntemann aims high with his debut novel, and it's perhaps inevitable that he doesn't quite pull it off. But he
does achieve many of his ambitions, and the result is a compelling work of science fiction. Whether your interest is
in scientific ideas, widescreen action, or sheer flights of imagination, you will find much to enjoy in The
Cunning Blood. I look forward eagerly to Duntemann's future work.
David lives out in the wilds of Yorkshire, where he attempts to make a dent in his collection of unread books. You can read more of David's reviews at his review blog. |
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