Dragon's Treasure | ||||||||
Elizabeth A. Lynn | ||||||||
Tor UK, 329 pages | ||||||||
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A review by Victoria Strauss
Dragonlord Karadur Atani, having warred with his sorcerer brother Tenjiro to regain the dragon birthright that Tenjiro stole, finds
himself uneasy in the peace that follows. Of all the shapechangers in the world -- hawk and bear and wolf, all settled among their own
kin and kind -- only Dragon is alone. Karadur longs for others like himself, or, if they are not to be found, for a woman through whom he
can pass on his blood. His choice to marry would be welcomed by all his household, except, perhaps, his long-time lover, the crippled bard Azil Aumson.
When one of Karadur's tenant farmers is murdered by a bandit band, Karadur, with his Dragon temper, takes a terrible revenge, summoning
Dragon fire to burn the bandits' stronghold and everyone in it. Two survive: healer Maia Unamira diSorvino, and her half-brother Treion,
leader of the bandits (who, unbeknownst to Karadur, may be Karadur's bastard brother). Maia flees to the house her mother once lived in,
which stands on Karadur's land. There, the hermit's life she wants to lead is interrupted by a chance encounter with Karadur; each knows
who the other is, but even so a spark is kindled between them. Meanwhile, Treion and his outlaw followers make their way south, robbing
and murdering; at last their atrocities go too far, and Treion is captured and given into Karadur's hands. Treion expects death, but
Karadur, who knows that Maia loves her brother, has different plans. As these unfold, Azil, who sees the growing bond between Karadur
and Maia and knows where it must lead, decides upon a fateful course of action.
Lynn brings her complex characters to life in fluid, sparing prose, vividly evoking Karadur's loneliness, the tranquility Maia finds in
exile, Treion's despair and anger, Azil's growing sadness. Settings are exquisitely depicted: the bee-buzzing meadows around Maia's
cottage, the great city of Ujo, the stark grandeur of Karadur's mountainous domain. The threads of plot that bind these lovely images
together are loose and light, sometimes knotting into dramatic confrontations but often vanishing entirely as Lynn explores odd corners
of her world and of her characters' personal experiences. In this, I'm reminded of Ursula K. Le Guin's The Other Wind, with its emphasis
on the mundane concerns and small details of daily life. But in The Other Wind this was meant to serve as a counterpoint to the
epic story, a reminder that the minutiae of ordinary life are as vital a part of the world as the heroic events that surround them. Despite
moments of drama in Dragon's Treasure, and classic epic elements like Treion's quest for revenge against the man who dishonored
his mother, that sort of overarching mythic plotline is absent from Dragon's Treasure. The ultimate impression is less of a high
fantasy novel than of a series of jewel-like cameos in a high fantasy setting.
Though assuming events from Dragon's Winter, and following many of the same characters -- not just primary, but secondary, such
as Hawk the warrior and Shem the wolf-boy -- Dragon's Treasure is self-contained enough to be read on its own. The ending brings
resolution, but enough is left open to suggest that at least one more book could follow. I hope so. This may not be a novel of great
deeds or startling adventure, but its very quietness is something to savor, and both the world and the characters -- as well as Lynn's
beautiful writing -- are well worth revisiting.
Victoria Strauss is a novelist, and a lifelong reader of fantasy and science fiction. Her most recent fantasy novel, The Burning Land, is available from HarperCollins Eos. For more information, visit her website. |
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