| Michael Moorcock's Multiverse | ||||||||
| Michael Moorcock (illustrated by Walter Simonson, Mark Reeve, and John Ridgeway) | ||||||||
| Vertigo/DC Comics, 288 pages | ||||||||
|
A review by Steven H Silver
"Moonbeams and Roses" follows the adventures of Rose, who originally appeared in the novel
The Revenge of the Rose (1991) and Sam Oakenhurst, hero of Blood (1995) and subsequent
novels. "The Metatemporal Detective" portrays Sir Seaton Begg of Moorcock's ubiquitous Begg/Beq/von Bek family
as a 30s era detective in the Sherlock Holmes vein. Finally, "Duke Elric" transports Moorcock's most famous
creation, the albino Melnibonéan emperor Elric, to Europe at the turn of the first millennium. All of this is
framed by the story of a friendly evening of gambling between Jack Karaquazian (Blood, etc.) and Moorcock, himself.
All three adventures focus on the quest for the elusive Silverskin, a king, underworld crime boss and possibly
more. Eventually, as Moorcock's protagonists close in on Silverskin, their stories become more closely wrapped together
in the manner with which Moorcock has always combined his characters. Even before the culmination, such characters
as Count Zodiac, Sir Seaton Begg's enigmatic cousin, bear a striking resemblance to other characters, notably Duke Elric.
Because of the varying settings of which Moorcock makes use, and the differences between the plots, different aspects
of the novel will appeal most strongly to different readers. The events surrounding the Rose and Sam Oakenhurst are
probably the most metaphysical of all the plotlines, while Sir Seaton Begg's investigations are set in a London and
Europe which Moorcock has frequently examined in such works as Mother London (1988) and his "Between the Wars"
sequence (1981, 1984, 1992).
The illustration is well done, using colours, styles and designs appropriate to each storyline -- each story having its
own artist. Walter Simonson's artwork and frames have a tendency to get a little busy when portraying the story
in "Moonbeams and Roses." Mark Reeve's pictures, which illustrate "The Metatemporal Detective," use a dark, moody style
evocative of the period and setting. John Ridgeway's illustrations for "Duke Elric" range from Anglo-Saxon England to
the lands of northern Africa and the introduction of a Melnibonéan dragon.
Because of its graphic novel format, it is quite possible that Michael Moorcock's Multiverse will draw new readers to his works.
Unfortunately, the book is not the best introduction to Moorcock's work. There are several concepts in
Michael Moorcock's Multiverse which are better explored, and in greater detail, in his textual novels. A
new reader approaching them for the first time in a graphic novel format may find himself at a loss for what Moorcock
is attempting to say and do. While knowledge of all or most of the characters and their relationships from their textual
adventures is a help, it is not necessary for the enjoyment of Michael Moorcock's Multiverse.
Steven H Silver is one of the founders and judges for the Sidewise Award for Alternate History. He sits on concoms for Windycon, Chicon 2000 and Clavius in 2001 and is co-chair of Picnicon 1998. Steven will be serving as the Programming Chairman for Chicon 2000. In addition to maintaining several bibliographies and the Harry Turtledove website, Steven is trying to get his short stories published and has recently finished his first novel. He lives at home with his wife and 3200 books. He is available for convention panels. | |||||||
|
|
If you find any errors, typos or other stuff worth mentioning,
please send it to editor@sfsite.com.
Copyright © 1996-2013 SF Site All Rights Reserved Worldwide