The Treasured One | ||||||||
David and Leigh Eddings | ||||||||
Warner Aspect, 416 pages | ||||||||
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A review by Steve Lazarowitz
To be fair, there is nothing wrong with the story. The problem is in the writing itself. I have never read a book with so much
repetition. At first it bemused then annoyed me. I'm guessing a good hundred pages could have been cut without losing anything.
I also had an issue with the shifting viewpoint. The authors start with a third person prologue that sets up the main conflict
of the story. Then they move to first person from one of the god's viewpoints, which is interesting and all very nice. Then
they switch to third person from the point of view of several characters in successive sections, retelling the same tale
over and over again from each vantage point.
Which means I got to read the same thing over and over again, several times. While it gave some insight into each of the
characters, it was so repetitive I would have been able to skip quite a bit of it, had I not been reading to review. In
instances where a character learns something and tells another character, the story is repeated in dialogue each time it is
passed on, and since characters are moving over the same landscape and meeting others; some stories are repeated three
or four times. It was distracting to say the least.
The story takes up where the first book left off. The Vlagh, the evil insect queen, sends her workers out from the Waste
to find food. This means invading the more prosperous lands outside the Waste in the land of Dhrall, overseen by four gods,
two sisters and two brothers. These brothers and sisters are part of a cycle with four other gods, who are all
asleep. Dahlaine, the dominant god for this cycle, decided to wake the others up early, and they appear in the books as
children, who aren't supposed to know they've been awakened... but they do. They also have true dreams which warn the gods
of the impending invasions of their respective domains. So far, so good.
As I've already mentioned, one of those gods is the point of view character for part of the book, but not enough of
it to make any sense. Why choose a god to tell your story first person, and then switch over to every other character
in the book, and tell their story in the third person? I had thought the point of the first person point of view was to get
the reader into the mindset of the main character. The amount of time from the beginning of the book to where we pick
up the first person point of view again is so far away, I'd almost forgotten it was there in the first place.
The best thing about the story was the characters. The characters you loved from the first book are back: Rabbit, Longbow,
Redbeard, Sorgan Hookbeak, Narasan -- all of them. The first half of The Treasured One recounts the first book from each
point of view, so if you haven't read it, you don't have to bother. You'll be sick enough of it before you get halfway through.
It got to the point where I felt the authors were insulting my intelligence. An entire chapter would be spent on setting
up the boyhood friendship of Narasan and Padan, and a couple of pages later, a dialogue would be tagged with the
words, "said Padan, Narasan's childhood friend." I already know who he is, can I get on with the story? If this only
happened once, I wouldn't have bothered to point it out, but the book was rife with such "reminders."
After the initial setup, the story takes an almost two-hundred page hiatus to go through the history from each point of view.
One final issue is the level of tension. Never once in the book did I fear for any of the main characters. I'm used to
reading books of a fairly dark nature, but even lighter books place the main characters in danger.
I believe this book would have been a lot better with a good edit or two. As it stands, unless you're a die-hard
David and Leigh Eddings fan, I think you're likely to be disappointed.
Steve Lazarowitz is a speculative fiction writer, an editor, a father, a husband, an animal lover and a heck of a nice guy (not necessarily in that order). Steve lives in Moonah, Tasmania with his family and four giant spiny leaf insects. You can check out his work at http://www.dream-sequence.net. |
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