| Paradox | |||||
| John Meaney | |||||
| Bantam UK, 545 pages | |||||
| A review by John Berlyne
Certain reviewers have likened Meaney's work to some of the old masters -- I have seen Jack Vance's name bandied about
in more than one critique -- and there is little doubt as to the type of fiction Meaney draws upon for inspiration. This
is very much science fiction in grand tradition.
Paradox is set on Nulapeiron -- a world long-colonized by humanity and one where society is stratified, both
physically and politically. In the lower subterranean levels, life is hard despite the vast (and superbly imagined) organic
technologies that shape this world. Young Tom Corcorigan is minding his own business when a complete stranger hands him an
odd talisman. The next day, Tom sees the very same stranger hunted down and brutally killed by the local militia. Seeing
her distinctive obsidian black eyes as she dies, he realizes she must be a pilot -- previously thought to exist
only in folklore and legend.
Not too long after this, Tom's mother is whisked off by an "Oracle" (whom the cover blurb describes
as "supra-human beings whose ability to truecast maintains the status quo") who tells Tom's father that he will
be dead within a matter of days. This prediction naturally proves true and the orphaned Tom is left homeless and alone. He is
sent down a level or two where he is enrolled at a school and shows some intellectual promise.
Unfortunately he becomes involved with the wrong crowd and in a rather brutal display of despotic justice, he has an arm
amputated for a crime he didn't commit.
If all this sounds a little contrived thus far, well, that's pretty much how it is. Initially I thought Tom would turn out
to be a far more exciting character than transpires, but rather than exploring the pent-up rage and deep desire for vengeance
that he should feel having been robbed of both his parents and his physical wholeness by an unforgiving ruling class, Meaney
presents his protagonist often as little more than a foil who has a knack for being in the wrong place at the wrong
time. Tom's subsequent rise up through the social ranks to the very top of the pile (which the majority of the remaining
plot covers) seems to have more to do with coincidence than design. He is both the luckiest and most hapless character I
have read about in a long time -- passive, lacking ambition and bouncing around the story like a pinball, driven from
the outside rather than within and -- a purely subjective judgement, I stress -- I found him therefore rather dull.
With not much of an character engine driving his plot forward, Meaney works hard to compensate, filling Paradox with
complex philosophies, strange technologies, frustrated and unrequited passions, betrayals, disasters and lots of other
events and intrigues. Indeed, I would not presume to find fault in some of his quite often remarkable and ingenious
inventions, but my overall impression remains that, without a strong and clear central character to bind everything
together, Paradox is something of a flawed piece. Occasionally too, Meaney lost me in a whirl
of technobabble -- witness this quite mind-bending paragraph which makes no more sense to me when taken
in context ...
John Berlyne is a book junkie with a serious habit. He is the long time UK editor of Sfrevu.com and is widely acknowledged to be the leading expert on the works of Tim Powers. John's extensive Powers Bibliography "Secret Histories" will be published in April 2009 by PS Publishing. When not consuming genre fiction, John owns and runs North Star Delicatessen, a gourmet food outlet in Chorlton, Manchester. |
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