| Queen of the Darkness | ||||||||
| Anne Bishop | ||||||||
| Roc Books, 430 pages | ||||||||
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A review by Victoria Strauss
The series is set in a world of interlinked Realms ruled by
the Blood, a race of witches and warlocks whose power is
channelled through magical Jewels (the darker the Jewel, the
greater the power). Over time, much of the Blood has become
corrupt, and the delicate mesh of tradition and loyalty meant
to maintain stability among these powerful and often violent
people has become fatally distorted. Into this period of
decline is born a Blood female, Jaenelle. Jaenelle is not
simply a witch, but Witch: the embodiment of all the Realms'
dreams of power, the Queen of the Darkness who will lead the
Blood back to the purity of the old ways.
But there are those who fear the coming of Witch, and Jaenelle
has many enemies, at whose hands she has suffered rape and
worse, in an attempt to rob her of her birthright. Despite
these terrible trials, she has survived to come fully into her
power. She now rules as Queen of Ebon Askavi, protector of
the Shadow Realm of Khaleer, protected in turn by her loyal
Court of human and non-human Blood and by her loving adopted
family, to whose devotion she owes both her life and her
sanity. Her world can't be complete, though, until she's
joined by her promised Consort: Daemon, the great love of her
life, who for eight years has been lost to madness in the
mistaken belief that it was he who raped her.
Now Daemon, understanding the truth at last, has broken free
of the insanity that claimed him. He and Jaenelle are
reunited, and slowly, hesitantly, their love is fulfilled.
But one of Jaenelle's enemies still hunts her: Dorothea, a
powerful and sadistic Queen determined to rule all the Realms.
Reluctantly, Jaenelle realizes she must fight -- not just
against Dorothea, but against the corruption that has infected
so much of the Blood, and threatens the stability of all the
Realms. There is only one way to do it: she must unleash the
full power of Witch. She knows that in the storm that
follows, all the Blood in the world will die -- unless she makes
a much greater sacrifice.
Queen of the Darkness doesn't, as many concluding books
do, suffer from any sense of staleness or formula: it's as
engaging, as strongly characterized, and as fully-conceived as
its predecessors. While all the books in the series are dark,
featuring intense elements of torture and sexual perversity,
Queen of the Darkness is by far the most somber of the
three. There are light moments to break the tension, and a
strong theme of romance, alternately tender and fierce, as
Jaenelle and Daemon overcome their personal hurts and
differences to become the lovers they were meant to be.
Overall, however, the atmosphere is one of impending tragedy.
The question is not if sacrifices will be required, or
whether they will be terrible, but which sacrifices will be
chosen and how deeply those who make them will be damaged.
(That's not to say that the book is heavy or difficult
reading: not at all. Even at its darkest, it's never less
than thoroughly entertaining.)
This theme is followed through to the bittersweet, ambiguous
ending, which departs from the basic romance template (and
there are many elements of genre romance in this series) in
that it's not an unequivocal happy-ever-after scenario. Bishop
has made a courageous choice here, following the demands of
her story rather than bowing to convention and manufacturing a
cheery finish that would have fitted very poorly with the rest
of this powerful tale. As it stands, it's a perfect -- and very
moving -- conclusion.
Queen of the Darkness isn't a stand-alone novel; as in
the second volume of the series, Bishop makes almost no
concession to backstory. To be fully appreciated, this fine
trilogy must be read from the beginning. It's well worth the
time.
Victoria Strauss is a novelist, and a lifelong reader of fantasy and science fiction. Her most recent fantasy novel The Garden of the Stone is currently available from HarperCollins EOS. For details, visit her website. |
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