| The Arm of the Stone | |||||
| Victoria Strauss | |||||
| Avon EOS Books, $5.99 US/$7.99 Canada Original paperback, 426 pages Publication date: March 11, 1998 | |||||
| A review by S. Kay Elmore
Bron, a second son, soon learns that he is the carrier of that ancestral gift. Alone and terrified, he
carefully crafts a plan that will allow him to reach the inner sanctum of the Stone and claim it as his
own. But to do so, he must work within the confines of a dogmatic regime. Their only calling is to find
and destroy any person who harbors handpower, even if it is one of their own.
Liliane, a daughter of luxury, wants nothing more than to serve the Stone. She gives up her life of comfort for
the hardship and loss of the life of a Guardian. Her rare mindpower, akin to empathy, makes her painfully aware
of the corruption that surrounds her and she hopes it will be enough to protect her from her enemies.
Victoria Strauss creates a world that is strict in every thought and deed. It's a world where the laws of the
land, called the Limits, are followed with religious fervor. The purity of mindpower is guarded with zealous
passion by those known as Roundheads, an order of enforcers -- the Arm of the Stone. They seek to stamp out
any evidence of the innovations of handpower, fearing that if it is allowed to develop, it will again split
their world and plunge them into chaos. She also gives us a hero clever and tenacious enough to imagine
bringing this world to its knees.
The Arm of the Stone is an intelligent, fascinating novel. The story itself is enough to keep you
interested, and the complicated politics and social structure of this world give it a depth most fantasy
novels lack. I believe Strauss is sounding a clear message through this novel that is a blend of
philosophies explored by both Ayn Rand and Aldous Huxley and it comes as no surprise that Victoria Strauss
has a degree in comparative religion. She shows us a society that considers creativity, individualism and
innovation as blasphemy, and holds what is obviously our modern world -- the world of handpower -- in contempt
of the laws of purity. Then, she populates the world with sympathetic characters who attempt to either reform
or protect this society in order to play on your very sense of right and wrong.
And yet there seems to be so much more lurking under the surface. This novel only hints at situations that could be pivotal to the future of the main characters. I'm resigned to the fact
that she's done a very good job of hooking my interest in a sequel, and I hope I won't be disappointed. The
open-endedness of this book and the many unanswered questions makes a second novel necessary, and I
think, very much anticipated.
S. Kay Elmore is a graphic artist, writer and corporate wage slave. She edits The Orphic Chronicle, an online magazine, and tries to make ends meet by writing and developing corporate newsletters and web sites. |
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