Kiss It Away | ||||||||
Carol Anne Davis | ||||||||
Do Not Press, 288 pages | ||||||||
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A review by Lisa DuMond
Blazing a path of devastation through the lives of everyone in Kiss It Away is the steroid-powered Nick. A textbook example
of antisocial personality disorder at his best, the ex-con is a bomb that continues to go off time and again as his consumption of
anabolic steroids escalates out of control. When Ben has the misfortune to cross paths with Nick it sets off a series of tragedies
that have the police in overdrive. To Ben's horror, he finds that the focus of their investigation is himself, not the maniac
who raped him in the park the night a woman was killed. Too ashamed to tell anyone of the humiliating violation, his behavioural
changes are misinterpreted as guilt and Ben looks very guilty at the moment.
As Ben's life is unravelling before his eyes, Nick's is bursting at the seams. "Stacking" ever-increasing doses of steroids is
destroying the body he has a pathologic need to build to its muscular limits. His madness transforms anyone who flickers, however
briefly and benignly, on his personal radar into an enemy, just another worthless creature out to destroy him. Nick isn't about
to let all his efforts go to waste; murder is his tool of choice to eliminate any threat, and threats are coming at him from all
sides. The steroids could put him out of commission, but will it be in time to prevent any further attacks?
The interaction of Rachel, Richard, Dawn, and the other characters is a fascinating portrait of life on the razor's-edge of
disaster. They go about their days, doing their best to find happiness, even though their images of a perfect life conflict at
almost every turn. Seemingly insurmountable obstacles materialise to block their dreams, obstacles that would be revealed in all
their triviality if they knew the horror poised to tear their lives apart. If Nick stumbles in, they will know what true
desperation is. Ben could tell them all about that experience, if he could bring himself to tell them.
Kiss It Away is another stunning example of Davis' mastery. No one does dark realism better. Every word builds the tension
to an almost unbearable peak, and each situation terrifies with its plausibility. Just check Davis' non-fiction work; we could
only wish that comparable tragedies never really happened, that such people couldn't actually exist. Carol Anne Davis knows
better. We would do well to listen to what she has to say.
In between reviews, articles, and interviews, Lisa DuMond writes science fiction, horror, dark realism, and humour. DARKERS, her first novel, was published in August 2000 by Hard Shell Word Factory. She is a contributing editor at SF Site and for BLACK GATE magazine. Lisa has also written for BOOKPAGE, PUBLISHERS WEEKLY, Science Fiction Weekly, and SCIENCE FICTION CHRONICLE. You can check out Lisa and her work at her website hikeeba!. |
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