The Poisoned Crown | ||||||||
Amanda Hemingway | ||||||||
Del Rey, 374 pages | ||||||||
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A review by Victoria Strauss
Fifteen-year-old Nathan Ward, a human boy whose alien genetic heritage gives him the power to dream himself through the Gates
between worlds, has already visited many realities in his quest for three ancient relics, part of a Great Spell crafted thousands
of years ago to save a dying universe. The Cup and the Sword are safe in the keeping of Nathan's adopted uncle, the wizard
Bartlemy; it remains only to find the final relic, the Crown.
Nathan's dreams lead him to Widewater, a world where the seas have swallowed the land and only ocean dwellers and creatures of the
northern ice, merpeople and selkies among them, survive. Widewater is in thrall to a cruel water goddess, Nefanu, who hates the
land and all warm-blooded creatures, and who is strangely similar to Nenufar, the cold-hearted water-spirit who has several
times tried to cheat Nathan of the Sangreal relics. Nefanu of Widewater holds the Crown, deep beneath the seas in a vast cavern
of air. Even with the help of the courageous albatross Ezroc and the outcast mermaid Denaero, Nathan doesn't see how he can
possibly find a way to rescue it.
Meanwhile, Nathan's best friend Hazel Bagot explores her growing powers as a witch, with and without the help of Bartlemy. Nathan's
mother Annie agonizes over how, and when, to tell Nathan the truth of his otherworldly parentage. Strange visitors to Bartlemy's
secluded forest home bring news of signs and portents, of the unraveling of ancient spells and the weakening of the Ultimate
Laws. And in Arkatron on Eos, the last refuge of life in a dead universe, the Grandir waits -- for Nathan, for the relics, for
the culmination of a plan millennia in the making.
Of the many worlds where Nathan's dreams have brought him, Widewater is perhaps the most vivid, with its endless oceans and buried
reefs and northern ice, its teeming creatures of the sea and air, its cruel goddess whose underwater lair is piled with the relics
of lost human civilizations. The dramatic culmination of Nathan's quest for the Crown, in which he must confront Nefanu and
survive the ocean and its perils, is only the leadup to the real climax: the completion of the Great Spell and the revelation
of the true nature of the Grandir's plans, and Nathan's part in them. As in any good quest story, there's a test to be endured
and a price to be paid; there's also a major catch that no one, except possibly the perennially contrary Hazel, has
foreseen. Amanda Hemingway blurs the line between good and evil, making all the characters fallible in some way -- even the Grandir,
whose millennia-attuned intellect, powerful beyond human imagination, nevertheless fails to grasp the tenacity of that uniquely
human power, love.
Hemingway draws not just on Grail legend, but on a wide variety of British and other folklore, mixing in her own cosmology and
blending science fiction and fantasy to wholly original effect. Nathan's and Hazel's lives as normal teenagers, all cell phones
and video games and hormonal turmoil and parent problems, stand in sharp contrast to the dark and dangerous world of myth and
magic that lies just an eyeblink beneath -- a reality no less compelling for being unacknowledged by most ordinary people (as
is made clear in the semi-comic struggles of Annie's beau, policeman James Pobjoy, to find a way to rationalize the supernatural
events in which he has been unwillingly caught up). The seriousness of the characters' dilemmas, the dangers and losses they
must endure, are lightened by frequent flashes of dry humor. Most of all, Hemingway evokes the deep wonder of enchantment,
terrible and beautiful at once, a wild power that can be harnessed but never truly controlled, and which is as likely to
betray as serve its user. In this she recalls classic British fantasists such as Alan Garner, Elizabeth Goudge, and George
MacDonald, in whose tradition this series stands.
Though marketed as YA, the Sangreal Trilogy is a crossover work that can be enjoyed equally by adults. In
fact, fans of Hemingway's adult fantasy trilogy -- Prospero's Children, written as Jan Siegel -- will find much
to recognize in The Poisoned Crown especially, which puts a new twist on the origins of human magical power in
long-lost Atlantis, and gives small but crucial roles to several of the trilogy's more memorable characters, including Kal,
the tormented half-human offspring of the evil witch Morgus. Suspenseful, imaginative, and beautifully written, this excellent
series deserves a wide audience.
Victoria Strauss is a novelist, and a lifelong reader of fantasy and science fiction. Her most recent fantasy novel, The Awakened City, is available from HarperCollins Eos. For more information, visit her website. |
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