The Well of Lost Plots | ||||||||
Jasper Fforde | ||||||||
Viking, 380 pages | ||||||||
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A review by Rich Horton
The books are set in an alternate history, where for example the Crimean War has continued to the 1980s (the books are set in 1985
or so), and Wales is a Socialist Republic. The most important difference for the books is that literature is a consuming national
passion, with performances of Shakespeare's plays treated like midnight showings of The Rocky Horror Picture Show. There are
also some decidedly strange aspects -- time travel, for example, with such results as erasing people from history -- including as
it happens both Thursday's father and husband. And also, it is possible to travel into the world of a book, and even make permanent
alterations. In the first book, Thursday, in order to defeat the arch-villain Acheron Hades, altered the ending of Jane Eyre
(to the one we know). In the second book she learned of the Bookworld, an organization of fictional characters, and in order to
escape the evil plans of Goliath Corporation, she took an assignment in the Bookworld, under the direction of Miss Havisham
(from Dickens' Great Expectations).
The first two books were mostly set in the "real world", and one way in which Fforde keeps this third book fresh is that it is set
almost entirely in the "bookworld".
Thursday is taking over a minor role in an unpublished detective novel, Caversham Heights. She is still troubled in her
memory by Aornis Hades, Acheron's sister. Aornis is a mnemonomorph, who can alter people's memories, and she is trying to erase
Thursday's memories of her husband Landen. Miss Havisham is showing Thursday the ropes of her new job, while the Bookworld awaits
the release of a new book delivery system, UltraWord™. Then some of Thursday's associates begin to be killed, and the evidence
points to Vernham Deane, the villainous squire from a Daphne Farquitt (a Barbara Cartland analogue) novel. But Macbeth's witches
have some prophecies for Thursday, and she also begins to be suspicious of the UltraWord system.
The plot is in the end rather silly, and not in any sense the reason to read The Well of Lost Plots. The fun is all in the side bits -- the
endless puns, the amusing and well developed ideas of what life in the Bookworld might be like, and running jokes like Miss
Havisham's love for fast cars, and her races with Mr. Toad of The Wind in the Willows. One delightful subplot is the
developing of two "generic"
characters into real people, more or less. Another is the unrest in Wuthering Heights, as almost every character hates
the egotistical hero, Heathcliff. Then there is the mispeling vyrus, which infects anything near it with mispelings, which
have severe consequences in the Bookworld, as a misspeled object changes to whatever its new spelling represents. This is a
fast-moving, funny, and intellectually diverting novel, much of a type and quality with its predecessors.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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