| We Never Talk About My Brother | ||||||||
| Peter S. Beagle | ||||||||
| Tachyon Publications, 256 pages | ||||||||
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A review by Rich Horton
Two of these pieces are new to this volume. I particularly liked "By Moonlight," in which a highwayman in
Shakespearean England happens upon an old clergyman who tells him a strange, sad, story of his love for the Queen
of Faery. "The Stickball Witch" is closer to home, perhaps, about playing stickball in the Bronx in the 50s,
and how an old lady whose yard swallowed "Spaldeens" reacts when the protagonist dares try to retrieve one.
As I said, the rest of the book is hardly older. Last year, we saw a first rate three story chapbook from
Dreamhaven Books, Strange Birds. All three stories are here (though minus Lisa Snellings-Clark's
excellent art). "King Pelles the Sure" is a profoundly moving story about a King who foolishly leads his country
into war, and who tries to find haven then redemption in exile. "Spook"
is more of a trifle, featuring Farrell (from "Lila the Werewolf") battling a ghost haunting his
and his lover's new studio. And "Uncle Chaim and Aunt Rifke and the Angel" is a powerful tale of a painter
commanded by a fallen
angel to paint her, over and over, until finally we learn the angel's secret -- a terribly sad secret, resolved
quite beautifully here.
The title story features brothers significantly named Jacob and Esau, and how Jacob deals with Esau's unhappy
power to change the near past. In the end, we see that some people rend and some mend. "The Last and Only; or
Mr. Moscowitz Becomes French" is an utterly charming tale of a man in California who slowly, but quite
completely, becomes French -- indeed, more French than the French. "The Tale of Junko and Sayuri" is a
Japanese-set fantasy, about a commoner who marries a shapechanger who schemes for his advancement -- at
first a good thing (the man truly is worthy) -- but of course too much ambition is ever a cause of
downfall. "Chandail" tells of a woman encountering the title sea creature, which cruelly (to the woman)
communicates mentally by using memories -- memories she'd rather not have brought to mind. Her response
is a different sort of cruelty. Beagle never fails to engross and also to center his stories on a true
moral point without moralizing.
There is also a sequence of poems from the 70s, "The Unicorn Tapestries", much worth bringing to light. Beagle
is a treasure, that's all there is to it, and each new story is a wonder, and this book is thoroughly worth reading.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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