| Banana Sunday | |||||
| Root Nibot and Colleen Coover | |||||
| Oni Press, 106 pages | |||||
| A review by Hank Luttrell
Without digressing too much, I'd like to offer a few observations about porn comics from this bookseller's
viewpoint. First, "adults only comics" are frequently vilified. I think this is probably because many people assume that
despite the "adults only" label, they are somehow intended, or destined, to be read by kids. I think this attitude is probably
only common among adults who don't read comics at all, because an adult who enjoyed sequential graphic storytelling (as Will
Eisner liked to call comics) would never get confused about comics being only for youngsters.
It is also frequently assumed that only men read adult comics. I sell comics at many different venues. Most, but not all, of the
customers who buy adult comics in my store are men. I sell comics at science fiction conventions. At SF cons, more of the
customers for adult comics are women, but still most of the buyers are men. I think there might be a certain understandable
reluctance on the part of many women customers to buy adult comics from me; after all I look like a skinny bear. It takes a
while to learn that I'm not particularly dangerous. Heck, I'm sure many men are nervous about buying stuff from me! I sell
comics mail order, and in this venue the percentage of women customers for adult comics is much closer to half. I also consign
comics at a feminist bookstore, and while I don't spend a lot of time hanging out in the coffee shop observing who our
customers are there, I think it is safe to say that most of the buyers of Small Favors are women. In both the serial
comic book form and the book version, Small Favors has been one of the all time best sellers in the comic book
department of A Room of One's Own Bookstore (Madison, WI).
Fantagraphics published eight serial issues of the Small Favors comic, and collected the first seven issues into two books. Then
the news was that Coover planned to leave the series to work on a different, "all ages" project. As a fan of Small Favors, I
was disappointed to learn that there wouldn't be any more, at least for a while. But I was enthusiastic about the prospects of new
comics. Now, Banana Sunday has appeared as a book, after having earlier been published in serial comic book form by Oni
Press. I wonder why Fantagraphics didn't published this project? Did they actually pass on it? Did Coover think that Oni would
do a better job with an all ages book than the publisher of Peanuts?
Small Favors was similar to many or most porn comics in basic ways. For instance, the plots were not complex, and usually
only involved set-ups to allow the girls to get busy with each other. Nor was the sex less explicit or graphic than the
average "adult" comic. Coover described the stories as "girly porn" and they were Lesbian themed, but that in itself is not
unique. The most unusual aspects of Small Favors was that the characters are cute, charming, endowed in only normal,
average ways (thus, "small favors"), and unabashedly up-beat. The sexual situations are always consensual. One of the original
conceits of Small Favors had that the main character was to be watched over by a guardian-imp because of her tendency
to be over whelmed by her naughty impulses; but the little fairy, it seems, had lots of naughty tendencies as well, and also
an ability to alter herself from tiny (thus, again, "small favors") to normal size.
The first thing fans of Coover's work will notice about Banana Sunday is that the character designs are very similar to
those in Small Favors. While there is no reason for this to be a surprise, it is still hard to resist expecting the
characters to sneak into a janitor's closet for a quick romp. Small Favors starts out overtly a fantasy, Banana
Sunday seems initially to have a science fiction premise. As Small Favors moves along, Tobin and Coover seem to
lose interest in the fantastic nature of the original story set up, and fewer references are make to the supernatural.
In Banana Sunday, Kirby Steinberg is a high school student, but also the guardian of three lower primates. She is
transferring into a new high school, and her wards are to accompany her. This is of great interest to the student body, so
Kirby makes several presentations to assemblies about the animals, explaining that they are the result of secret primate
research done by her father. One of the first students to meet and befriend Kirby is Nickel, a high school newspaper reporter
who suspects that Kirby isn't being candid about the nature of the primates, and tries to uncover the truth. The explanation
which is eventually revealed is much more whimsical and fantastic than secret scientific research! Esthetically, this plot
choice works for me, as I like comics that use extreme and unlikely situations. (Realistic comics? Why bother?)
Where I live, in Madison, Wisconsin "primate research" is a hugely controversial subject, a real hot button topic. Pioneering
primate research took place here, and the university, scientific and medical communities in general have a huge commitment
and vested interest in this work. On the other hand, there is also a large group of individuals opposed to this research,
arguing that is cruel and unnecessary, as well as organized opposition from groups such as PETA. I have a feeling that Paul
and Colleen don't experience this same controversial attitude toward primate research around their home in Iowa, given the
neutral way it is presented in their story. If this story took place in Madison there would be protests! Well, maybe this
could be background for future stories.
Tobin and Coover's storytelling here is very effective. The characters, human and animal, are charming and
interesting. Kirby's main motivations are easy to understand, since we have all been in high school: she wants to find
her place in that difficult environment. Nickel is an immigrant, and her particularly difficult acclamation to high school
is in part responsible for her devotion to the role as a student reporter. The primates each have unique appearances and
attributes: the brainiac orangutan, a spider monkey who is a flirt, and a sleepy, hungry, indestructible, fire-plug sized
gorilla. The story is told with art, the character's dialogue, along with a lot more body language than usual in comics,
even though it is a visual media.
Hank Luttrell has reviewed science fiction for newspapers, magazines and web sites. He was nominated for the Best Fanzine Hugo Award and is currently a bookseller in Madison, Wisconsin. | |||||
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