H.P. Lovecraft In Britain: A Monograph | ||||||||
Stephen Jones | ||||||||
The British Fantasy Society, 46 pages | ||||||||
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A review by Kit O'Connell
H.P. Lovecraft In Britain: A Monograph is the product of his studies. Beginning with the first correspondence between
August Derleth and Victor Gollancz in 1950, this slim volume chronicles every British appearance of the master's
work from 1951's The Haunter of the Dark & Other Tales of Horror through Jones own 2008 collection, mentioned
above. The book includes the cover illustration to nearly every publication, as well as actual copies of contracts and
pertinent letters.
While this may seem like book industry minutiae, it is great to see all the covers (especially the Panther Press paperbacks,
since most of Gollancz's covers are famously plain) and there are entertaining details scattered throughout. For example,
we can easily imagine the Gollancz's editors increasing frustration as they issue volume after volume of Lovecraft's work,
believing each one to contain all remaining unpublished stories, only to be inundated by fan letters asking about works
they'd missed. Stephen Jones writes in a clear, quick prose which makes the monograph an easy read.
Probably the most pleasure for the average reader comes from the illustrations by Les Edwards which appear throughout
the book. A sinister gargoyle appears at the end of every chapter and there is a wonderful full-page drawing
of nightgaunts over Arkham (or is it London?). The cover, also by Edwards, lovingly depicts Lovecraft himself
standing in front of a tentacle-besieged Big Ben.
At $25.99 for North American buyers, H.P. Lovecraft In Britain's price may be a bit steep for many buyers' book budgets.
Still, most Lovecraft fans will want to at least take a look at it, and it is obviously a must-have for scholars of the Mythos.
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