The Matrix Reloaded (***) | ||
Directed by Andy Wachowski and Larry Wachowski | ||
Written by Andy Wachowski and Larry Wachowski | ||
Rick Norwood
Too much portentous dialogue and, when you come right down to it, too much spectacular fighting and car chasing, and yet, some
really cool special effects, not to mention really cool sun glasses.
Our story opens when young Jedi Knight Neo is instructed by Obi Wan Morpheus to forget logic and reason and trust in the Source. Neo
kicks ass until he meets his maker, and the following dialogue ensues:
"Isn't there?"
"Come now, let us not be juvenile. You want information. So do I. You ask three questions, then I'll ask three. You must have questions, man."
"Who are you?"
"I am either what I appear to be or I am not. If the latter, then for me to tell you would put me at your mercy. Don't take time
with questions which might destroy me. Now hurry."
"Do you know anything about me other than what has already been told?"
"Yes"
Actually, the dialogue above is not from The Matrix at all, but from The World of Null-A by A.E. Van Vogt. The dialogue
in The Matrix, like the dialogue in Van Vogt, is full of undigested lumps of philosophy, regurgitated in meaningless exchanges with
characters who always tell you what questions you are going to ask, before you ask them.
Early in the movie, the actor Lawrence Fishburne (who mastered Shakespeare without difficulty) blows a line of dialogue, and the director does
not catch the mistake. With all the careful attention to the details of the special effects, it is significant that nobody is paying attention
to the words coming out of the actor's mouth.
And there are too many words. What could have been a very exciting 90 minutes has been stretched to a sometimes tedious two hours plus. In
the scenes set in Zion, there is a lot to remind you of Attack of the Clones. The car chase, as spectacular as it is, does not grip you
like the car chase in Ronin. Fights are more interesting when you care about the people involved. Neo and Trinity making love have
less passion on their faces than a kid playing Grand Theft Auto III. The sex, like the sex in Van Vogt, is the kind of sex dreamed
of by kids who can't get a date on Saturday night. You can tell from the way writers handle sex scenes whether they got laid before
they got famous.
The most interesting character in the film is someone called the Keymaker, but his role is sadly brief.
The big set pieces, the fights, the car chases, are further over the top than anything we had seen before. In Enter the Dragon,
Bruce Lee fights as many opponents as Neo does, but they line up and come at him one at a time. Neo fights them
in 3-D. The Matrix Reloaded is definitely worth seeing, but it lacks the human interest
of X2: X-Men United and Daredevil, not to mention Spider-Man.
After the credits is a preview for The Matrix Revolutions.
Rick Norwood is a mathematician and writer whose small press publishing house, Manuscript Press, has published books by Hal Clement, R.A. Lafferty, and Hal Foster. He is also the editor of Comics Revue Monthly, which publishes such classic comic strips as Flash Gordon, Sky Masters, Modesty Blaise, Tarzan, Odd Bodkins, Casey Ruggles, The Phantom, Gasoline Alley, Krazy Kat, Alley Oop, Little Orphan Annie, Barnaby, Buz Sawyer, and Steve Canyon. |
If you find any errors, typos or other stuff worth mentioning,
please send it to editor@sfsite.com.
Copyright © 1996-2014 SF Site All Rights Reserved Worldwide