| Up from the Bottomless Pit and Other Stories | |||||||||
| Philip José Farmer | |||||||||
| Subterranean Press, 375 pages | |||||||||
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A review by Nathan Brazil
Chief among the offerings is the title piece, which is an intense story about an ecological disaster, whose time has come
around again. Up from the Bottomless Pit presents an alternate 70s nightmare, set in a world where demand for oil has
become so great, that oil companies abandon caution in their efforts to extract more of the black gold. The result is a
hole in the ocean floor, from which gushes an all but unstoppable torrent of crude oil. This quickly creates a deadly danger
to life on Earth, as the vast slick spreads out, and begins to affect our fragile ecology. Some of the concepts here, and
certainly the characterisation, are of their time. Others are way ahead of the curve, quality writing that delivers lessons
which still have relevance. It is very easy to see a point in our not too distant future, where Big Oil's rampant greed
takes that one step too far, and as a result cannot control what happens. As always with Farmer stories, the plots are well
drawn, and the key scenes driven home with the cold sharpness of a stiletto. Some parts of Up from the Bottomless Pit
are quite harrowing, yet delivered in such an economical fashion as to shame authors who prefer a more gratuitous
approach. Farmer's technique reveals he had the foresight and ability to adopt a less is more strategy, long before anyone
had even thought of the phrase.
One point I must make clear is that Up from the Bottomless Pit and Other Stories is not strictly science fiction. In
fact, almost all of the works presented here fall into the category of Farmer's mainstream speculative fiction. Every story
has something to say, even if one or two show their age. "The Essence of the Poison," "The Face That Launched a Thousand Eggs,"
"The Light-Hog Incident" and "I Still Live!" are all titles to entice the reader into Farmer's intricate thought
processes. New readers should not start here, as this is not the best introduction to Farmer, or the best he has
to offer. What it is, is a quirky collection of the author's more oddball works, and as such is well worth adding to
your bookshelf.
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