| Warbreaker, Part 3 | |||||||||||
| Brandon Sanderson | |||||||||||
| Multicast performance, adaptation | |||||||||||
| GraphicAudio, 7 hours | |||||||||||
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A review by Ivy Reisner
Everything that was promised in the beginning is delivered. Armies of Lifeless soldiers march on Idris. An attempt
is made on Susebron's life. It's just not fulfilled in the ways we're led to expect. We're led to question the source
of a lot of the information, and how things transpired because of the characters' responses to that information. Much
like Vivenna had to rethink her time in Hallandren in part two, we are made to rethink much of the story in part
three. So much of the meaning of the early scenes is changed by the revelations at the end, my first impulse was
to start listening all over again. It's one of those works that only benefits from a second go through.
Some events are easy to predict. Given how many times we're told that the Returned can use their Breath once to heal
someone and then they die, it's no surprise when one the Returned does exactly that. Those are in the minority,
and serve to involve us and ground us in the story.
Lightsong learns the truth about his past, and he is transformed by these experiences, and especially from that
revelation, from someone who joked about his divinity, to someone who could proudly declare himself a god, and
live up to it. Vivenna casts off the identity of sacrificial princess, for choices that are both logical and
surprising. Her movement, from competent, to helpless, and back to competent, but in a greater way, is one of the
most interesting in the book. Vasher's past is revealed, and it makes sense of one of the best lines from the
beginning of the book:
The dénouement ran longer than it needed to for the sake of this story, but it did a good job of setting up
a potential sequel. This is a compelling universe, and I hope Brandon Sanderson writes more in it.
The audio quality is, as always with Graphic Audio, splendid. The voice acting was fantastic. The sound effects
were appropriate and. the voice alterations done to imply thought or magic helped pull the listener into the story.
Ivy Reisner is a writer, an obsessive knitter, and a podcaster. Find her at IvyReisner.com. |
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