| The Death of the Necromancer | ||
| Martha Wells | ||
| Avon EOS Books, 368 pages | ||
| A review by Wayne MacLaurin
Take a great Sherlock Holmes novel, mix in a heavy dose of Steven Brust's Jhereg, and you'll have some idea of what you
can expect from The Death of the Necromancer.
Martha Wells' first two novels, The Element of Fire and City of Bones, were praised for
their rich detail and original concepts. The Death of the Necromancer raises those two points to
new levels and adds characterization that is every bit as rich and passionate as the details of the
fantasy world. It's a stunning achievement that is utterly captivating, effortlessly drawing the reader into the story.
The setting is a gaslit European continent that has familiar sounding names (Vienne, Lodun) and comes
complete with steam engines and revolvers. But magic works and sorcerers walk the streets of the cities,
have a great university and hold positions of power at the courts. Other differences, like the existence
of the Unseelie Court and the great Kingdom of Ile-Rien, also help to ensure that the reader doesn't slip
and mistake this for a mere Holmes clone.
The plot revolves around Nicholas Valiarde, a disgraced nobleman, consumed with the desire to revenge
the wrongful death of his godfather. He also happens to be the greatest thief in all of Ile-Rien
(a helpful talent which, I am sure you can see, would significantly help with those late night prowls
around your arch-enemy's estate). However, life is not all fun and revenge. Valiarde is constantly
trying to keep one step ahead of Inspector Ronsarde, the darling of the good-guys and a pretty good tribute
to Conan Doyle's legendary detective.
Valiarde's revenge starts getting interrupted by a series of increasingly bizarre, unexplainable
events. Somebody, or something, with significant magical ability begins to oppose him. More chilling
is the obvious taint of necromancy -- and necromancy is an art that has been outlawed for centuries.
The Death of the Necromancer is a great tale but its real strengths are the stunningly convincing
detail and the wealth of characters. Aside from Valiarde and Ronsarde, Wells introduces the reader to
characters who range from the greatest sorcerer in Ile-Rien (assuming he can be awakened from his
opium-induced dreams long enough to be coherent) to Doctor Octave, a self-proclaimed mystic who seems to
be just a really good con-artist... or is he...? Wells keeps the reader uncertain about who is who and which is what.
The Death of the Necromancer is a fabulous read and earns my vote for "Most Exciting New Book of the Summer!"
Wayne MacLaurin is a regular SF Site reviewer. More of his opinions are available on our Book Reviews pages. |
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