The Eyre Affair | ||||||||
Jasper Fforde | ||||||||
Penguin, 304 pages | ||||||||
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A review by Donna McMahon
But heck, we know that Margaret Atwood does NOT write science fiction, so why should time travel be labelled as SF?
Thursday Next lives in an alternate Great Britain of 1985, where Literature is the pop culture of the masses. Thousands of people change
their names to "John Milton," vending machines recite Othello, and proselytizers go door-to-door recruiting converts to the theory that
Francis Bacon really wrote Shakespeare's plays.
Technology has gone in odd directions, too. The popularity of dirigibles has stifled airplane development, but cloning is advanced
enough that dodos have been brought back as house pets and are becoming a nuisance. And then, of course, there's time travel -- policed
by the Chrono Guard whose job it is to make sure that eccentrics (like Thursday's father) don't go back and alter the past.
Thursday herself works for SO-27, the Literary Detective Division of Special Operations. It's an unglamorous job confiscating counterfeit
Fieldings or busting a Samuel Johnson theft gang -- until the original manuscript of "Martin Chuzzlewit" is stolen by an evil genius named
Acheron Hades. When Hades manages to lay hands on a bookworm device that allows real people to enter novels and snatch characters out,
the stakes become even higher.
You don't have to be a English major to enjoy this rollicking novel -- in fact, you don't even need to have
read Jane Eyre -- but it helps. The Eyre Affair is chock-full of literary references and in-jokes, and makes an especially
enjoyable read for that segment of the population that has studied Richard III and also taken
in midnight showings of the Rocky Horror Picture Show.
There are darker elements in this novel -- such as the rapacious mega-corporation Goliath, or the one hundred and thirty-year long
Crimean War which drags on like an endless Viet Nam -- but mostly this is a big romp populated with characters like Paige Turner
and Jack Schitt (a Goliath executive, of course).
Fforde's prose style is tight and sparse, as might be expected of someone who writes for the film industry, and his habit of referring to
characters by name, without other cues or reminders, occasionally makes it hard to keep track of the large cast. Also, readers
familiar with SF and Fantasy will not find the novel wildly innovative, although Fforde has certainly created his own distinctive universe.
The sequel, Lost in a Good Book, is out now, but read The Eyre Affair first.
Donna McMahon discovered science fiction in high school and fandom in 1977, and never recovered. Dance of Knives, her first novel, was published by Tor in May, 2001, and her book reviews won an Aurora Award the same month. She likes to review books first as a reader (Was this a Good Read? Did I get my money's worth?) and second as a writer (What makes this book succeed/fail as a genre novel?). You can visit her website at http://www.donna-mcmahon.com/. |
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