Paper Cities | |||||
Ekaterina Sedia | |||||
Senses Five Press, 270 pages | |||||
A review by Mario Guslandi
But the cities involved are not always real places such as New York, Rome or Tokyo. More often than not authors pursuing the avenues
of urban fantasy create worlds of their own, imaginary towns and cities the inhabitants of which behave differently than us, follow
unusual rules and live alien and strange lives.
However, every time a writer tries to push the genre limits, stretching his imagination to create something entirely new, the risk is
that fantasy becomes the synonym of weirdness and that the story simply becomes a hollow specimen of the bizarre, lacking heart and
failing to touch the inner chords of the reader's soul.
Paper Cities, an anthology assembling twenty-one stories of urban fantasy by both well-known and brand new authors, is
a standing example of how fantasy can sometimes just equate eccentricity and oddness offering little else.
Many of the stories included in the volume are just bizarre and quirky, the plots are often flimsy and inconsistent,and the
characters flat and uninteresting. The first requirement of good fiction, namely to tell a good story and to tell it well,
seems to be out of fashion.
Mind you, not everything is disappointing in Paper Cities, fortunately there are some good tales.
Cat Rambo's "The Bumblety's Marble," an elegant tale of magic set in and beneath the imaginary city of Tabat, is imbued with
subtle lyricism.
Jay Lake contributes a fine, fully enjoyable piece set in the world of his The City Imperishable series
("Promises: a Tale for the City Imperishable"), which will make you want to secure a copy of all the novels in the series.
In "Sammarinda Deep" by Cat Sparks, the characters are credible and well carved, the imaginary world is quite plausible and the
story is solid and well written.
Other excellent stories are Steve Berman's offbeat but fascinating "Tearjerker," a veritable feast of imagination and creativity
and the colourful "Painting Haiti" by Michael Jasper, portraying the nightmares and the difficulties to survive experienced by
an artist from Haiti emigrated to the USA.
Some stories are worth mentioning especially for the exquisite language and the beautiful wording which grace plots either too
weak or too obscure (Anna Tambour's "The Age of Fish, Post-Flowers," a post-modern vivid urban fantasy and Catherynne M.
Valente's "Palimpsest," providing further evidence of that author's enormous literary talent).
My favourite story is "Down to the Silver Spirits" by Kaaron Warren, a gorgeous piece with a "quiet horror" taste where, in
order to conceive a child, some childless couples face a descent into a dead underground city.
On the whole, the fact that I've been able to select only eight stories out of twenty-one doesn't speak too well for this
anthology, which remains, in my way of thinking, merely a gallant attempt that resulted in failure.
Mario Guslandi lives in Milan, Italy, and is a long-time fan of dark fiction. His book reviews have appeared on a number of genre websites such as The Alien Online, Infinity Plus, Necropsy, The Agony Column and Horrorwold. |
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