| Super 8 (***) | ||||||
| directed by J.J. Abrams | ||||||
| written by J.J. Abrams | ||||||
|
Rick Norwood
There is a character in the movie who says that movies are not just about action, they are about making the
audience care about the characters. I got the feeling that J.J. Abrams was trying too hard.
When I see a Steven Spielberg movie, I bounce up and down in my seat when Indiana Jones cracks his whip,
cringe when the shark smashes into the side of the boat, cry when ET returns to life. Watching Super 8
I found myself saying, yep, that worked in Indiana Jones, that worked in Jaws, that
worked in ET. But I don't bounce up and down, don't cringe, don't cry.
There is a scene at the end of the film where, in the space of a few minutes, the boy literally
lets go of his attachment to his dead mother, is reconciled with his distant father, and the father
is reconciled with his estranged friend, the friend is reconciled with his estranged daughter, and the
man-eating monster lives happily ever after. It's too much. Abrams is trying too hard. Just one
emotional moment would have had a greater impact than five in a row.
In an interview in Entertainment Weekly, Spielberg describes how his love of
film was transformed into a love of children. I think Abrams is still just in love with film.
No credit cookie, but a great Super 8 film is shown during the closing credits.
Rick Norwood is a mathematician and writer whose small press publishing house, Manuscript Press, has published books by Hal Clement, R.A. Lafferty, and Hal Foster. He is also the editor of Comics Revue Monthly, which publishes such classic comic strips as Flash Gordon, Sky Masters, Modesty Blaise, Tarzan, Odd Bodkins, Casey Ruggles, The Phantom, Gasoline Alley, Krazy Kat, Alley Oop, Little Orphan Annie, Barnaby, Buz Sawyer, and Steve Canyon. | ||||||
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